ABSTRACT
Once you've finished processing your negatives, there are several different paths to follow to produce your finished images. We're here in this book because we love the simplicity, affordability, unpredictability, soft imagery, or other aspects of making images with plastic and toy cameras. But we must tackle some kind of complex technique to create the final piece of work, whether it be a fiber-based silver print, a virtual image, or a digital print. The options include the same choices for all photographers, plastic or not. Increasingly, digital technology is becoming the favored choice for both groups, while also dominating photography fairs and expos, as well as courses, workshops, and articles in mainstream photography publications.
