ABSTRACT

THE SHOWREEL 4HE WHOLE POINT OF A SHOWREEL IS TO ACTUALLY show PEOPLE WHAT YOU CAN DO RATHER THAN SIMPLY RELYING ON YOU TELLING THEMHOWWONDERFUL YOU ARE 4HE WORD showreelORIGINATED IN THEMOVIE INDUSTRYWHERE ITWASBASICALLYACOM PILATIONOF CLIPS OFWORK THAT THE ARTIST BE IT ACTOR DIRECTOR EDITOR ETC HAS COMPLETED TO SHOWHIS OR HER TALENTS-ANY YEARS AGO AMUSICIANS SHOWREEL WOULDPROBABLYHAVETAKENTHEFORMOFATAPECOMPILATIONLATERITWASA$!4 $IGITAL!UDIO4APE OR#$BUTTODAYITISMOREOFTENTHANNOTJUSTACOLLEC TIONOF-0ORSOMETIMES7!6!)&& lLESTHATCANBEEMAILEDTOPROSPECTIVE CLIENTSORDOWNLOADED FROM THEARTISTSWEBSITE )T ISUSUALLYACCOMPANIEDBY SOMEKINDOFhBIOGvBIOGRAPHY WHICHGIVESALITTLEMOREINFORMATIONABOUT THEARTISTINQUESTION

4HEBIGPROBLEMWITHSENDINGSHOWREELS TOPOTENTIALCLIENTSHASALWAYSBEEN THAT OF GETTING NOTICED 3OME RECORD COMPANIES RECEIVE HUNDREDS OF DEMOS EACHWEEKANDEVENWITHTHEBESTOFINTENTIONSITISSIMPLYIMPOSSIBLEFORTHE PERSON INCHARGE TO LISTEN TOEACHANDEVERYONEOF THEM7HENDEMO$!4S OR#$SWERETHENORMYOUWEREOFTENADVISEDTODOSOMETHINGTOMAKEYOUR SHOWREELORDEMOSTANDOUT FROMTHECROWD'IVENTHATMOSTWOULDBESUB MITTED IN ANONYMOUS LOOKING PADDED ENVELOPES IT WAS OFTEN SUGGESTED TO

DOSOMETHINGCREATIVEWITH THEPACKAGING TODRAWATTENTION TOYOURPACKAGE 7HILETHISMAYHAVEWORKEDTHEREWASALSOAlNELINEBETWEENDRAWINGATTEN TIONANDSCREAMINGh)MDESPERATEPICKMEv4HEPROBLEMWASTHATNOBODY REALLYKNEWEXACTLYWHERETHATLINEWASPERHAPSMORECONFUSINGLYTHEPOSITION OFTHATLINEWOULDVARYFROMCOMPANYTOCOMPANYFROMPERSONTOPERSONAND EVENFROMDAYTODAY4HEREWASNOEASYANSWER

&AST FORWARD TO THE PRESENT DAY 7HILE THE ERA OF THE -0 SHOWREEL HAS UNDOUBTEDLY MADE IT EASIER QUICKER AND MORE AFFORDABLE TO SEND OUT YOUR SHOWREELTOPOTENTIALCLIENTSTHESAMEPROBLEMSSTILLEXIST)NFACT IFANYTHING THEYAREMUCHWORSE.OTONLYDOYOUHAVETOCOMPETEFORATTENTIONWITHTHE POSSIBLYHUNDREDSOFOTHEREMAILSCOMING FROMTHOSESEEKINGWORKYOUALSO HAVETOAVOIDBEINGTRAPPEDINA*UNKMAILBOXWITHTHERISKOFTHEEMAILBEING hUNREADvANDENDINGUPDISAPPEARINGOFFTHEBOTTOMOFSOMEONESSCREENWITH OUTEVERBEINGSEENLETALONEREAD0ERHAPSANATTENTION GRABBINGSUBJECTLINE INYOUR EMAIL COULDDO THE TRICKBUTONCEAGAINYOU RUN THE RISKOF CROSSING THAT LINE3OHOWDOYOUMAKEAGOOD IMPRESSIONANDGETYOUR SHOWREEL LIS TENED TO7ELLONEPOSSIBLEANSWERCOMES FROMADECIDEDLYhRETROv IDEA!RE YOUREADYFORTHIS/KAYHEREITISSENDA#$.OW)KNOWITISNTASEASYORAS CONVENIENTANDITTAKESMOREEFFORTBUTINAWAYTHATISEXACTLYTHEPOINT

-OST TECH SAVVY PEOPLE THESE DAYS KNOW THAT IT IS EASY TO SEND A PERSONAL IZED EMAIL TO A hMAILING LISTv AND THEORETICALLY ASSUMING YOU HAVE DONE YOURPREPARATION SENDOUTYOUR SHOWREEL TOHUNDREDS IFNOT THOUSANDS OF MUSIC INDUSTRY PEOPLE IN JUST A FEWMINUTES 4HERE ARE MANY TIMES WHEN THIS IS APPROPRIATE AND PERHAPS EVEN EXPECTED BUT SUBMITTING SHOWREELS IS ONE AREAWHERE )WOULD REALLY RECOMMEND GOING THE EXTRAMILE ANDMAK INGTHATEXTRAEFFORT!SIDEFROMTHEFACTTHATITSHOWSTHATYOUARECOMMITTED ANDDEDICATEDBECAUSEYOUHAVEMADETHEEXTRAEFFORTITMIGHTJUSTGETSOME BODYSATTENTIONTOO4HEDAYSOFGETTINGHUNDREDSOF#$SAREPROBABLYGONE )WOULDGUESS THATMOST!2PEOPLEGETAVASTMAJORITYOF THEIR SUBMISSIONS VIA EMAIL 3O INSTEAD OF YOUR SHOWREEL BEINGMAYBE ONE OF A HUNDRED FROM THATWEEKITMIGHTBEONEOFTENORPERHAPSEVENONEOFlVE#ERTAINLYBETTER ODDSTHANBEINGONEOFPOTENTIALLYSEVERALHUNDREDEMAILSAWEEKTHATHAVETO BEPLOUGHEDTHROUGH)NFACT)WASASKEDRECENTLYTOSENDSOMETRACKSOVERTOA RECORDLABELON#$BECAUSEMY!2CONTACTTHEREMADEPRETTYMUCHTHISEXACT POINTANDASKEDTOHEARTHETRACKSON#$BECAUSEITWASEASIERFORHIM&OOD FORTHOUGHTATLEAST

)NTERMSOFWHATTOINCLUDEONYOURSHOWREELMYRECOMMENDATIONISTHATYOU GOFORQUALITYOVERQUANTITY7HENYOUARESTARTINGOUTYOUPROBABLYWONTBE ABLE TONAMEDROP TOOMUCH SO THE TEMPTATION IS TO INCLUDE A LOT OF TRACKS MANYOFWHICH THE PERSON YOU ARE SENDING IT TOMIGHT NEVER HAVEHEARD OF SIMPLY TO SHOW YOUR VERSATILITY AND TO GIVE THE IMPRESSION THAT YOU HAVE DONE A LOT OF THINGS 4O BE HONEST ) THINK YOUWOULD BE BETTER OFF SENDING A SHOWREELWITH YOURbest THREEOR FOUR TRACKS RATHER THAN TEN THAT YOU THINK

AREGOODBUTAREHEDGINGYOURBETSALITTLEBECAUSEYOUDONTKNOWWHATTHEY MIGHT LIKE5NFORTUNATELYMANY TIMESYOUWILLBE JUDGEDBY THEWORST TRACK ONYOURSHOWREELNOT THEBEST3OBEAR THAT INMINDWHENYOUARECHOOSING WHAT TOPUTON THERE!S TIMEGOESONANDYOUSTARTGETTING SOMEGOODPAID WORKUNDERYOURBELTANDYOURREMIXESSTARTGETTINGCLUBPLAYRADIOPLAYAND CLUBCHARTEXPOSUREYOUCANSTARTTOINCLUDEAFEWMOREBUT)WOULDNEVERGO ABOVEABOUTSIXTOEIGHTTRACKSONASHOWREELUNLESSYOUAREINCREDIBLYDIVERSE ANDARESENDINGTHESHOWREELTOALABELORCOMPANYTHATHASACATALOGOFWORK ASVARIEDASTHESHOWREELYOUARESENDING

7HEREPOSSIBLEANDWHENYOUGETTOTHEPOINTWHEREYOUHAVEAGOODNUMBER OFTRACKSTOCHOOSEFROMYOUSHOULDCUSTOMIZEEACHSHOWREELTOTHEPERSONOR COMPANYYOUARESENDINGITTO&OREXAMPLEWHILEYOUASAREMIXERMIGHTBE GREATAT FUNKYHOUSEELECTROHOUSE TRANCEANDBREAKBEAT IT ISQUITEUNLIKELY THATTHECOMPANYYOUARESENDINGITTOWILLBEINTERESTEDINALLOFTHOSEGENRES 3ODOYOURHOMEWORKABOUTWHATTHECOMPANYORLABELMIGHTBEINTERESTEDIN PERHAPSCHECKOUTTHEIRRECENTRELEASESTOSEEWHATKINDOFREMIXESTHEYCOM MISSIONEDONTHOSE ANDCHOOSETHETRACKSTOINCLUDEONYOURSHOWREELBASED ONTHAT/BVIOUSLYIFYOUDONTHAVEANYTRACKSINTHEGENRES THEYAREINTER ESTEDINTHECHANCESOFYOUGETTINGTHEGIGAREREDUCEDBUTITISCERTAINLYSTILL WORTHWHILE3TRANGERTHINGSHAVEHAPPENED

/NEOTHERTHINGTOCONSIDERISWHETHERTOINCLUDETHEFULLTRACKSREMIXESORJUST SHORTERhEDITSv4HISISAQUESTION)HAVEWRESTLEDWITHMYSELFINTHEPASTAND WITHMYYEARSOFEXPERIENCE ) CANSAYWITHCERTAINTY THAT THERE ISNO RIGHTOR WRONGANSWER9OUCOULDARGUETHECASEBOTHWAYSTHOUGH&ULL LENGTHREMIXES WOULD SHOW THAT YOUUNDERSTANDHOW TOBUILD A CLUBMIX ARRANGEMENTOF A TRACKANDSUSTAININTERESTANDEVENBUILDEXCITEMENTANDTENSIONOVERASEVEN MINUTEORSOPERIODBUTMOSTPEOPLEWOULD JUSTASSUMETHATYOUKNEWTHAT ANYWAY%DITSWOULDGIVE THESENSEOFWHAT THE REMIXWASABOUTWITHOUT THE UNDOUBTEDLY VERY BUSY LISTENER HAVING TO SIT THROUGH THREEMINUTES OF h$* )NTROvANDh$*%NDINGv4HESEEDITSWOULDALSOSHOWTHATYOUUNDERSTANDHOW TOCREATEADYNAMICJOURNEYFORYOURREMIXESINTHETHREE MINUTEORSOWINDOW YOUHAVEFORMOSTRADIOEDITSTHESEDAYS!SYOUSTARTWORKINGWITHBIGGERAND MORE COMMERCIAL ARTISTS IF THAT IS INDEED PART OF YOUR GOAL THE RADIO EDIT BECOMESINCREASINGLYIMPORTANT

!T THISPOINT ) SHOULDPROBABLYDEALWITHAQUESTION THAT SOMEOFYOUMIGHT HAVE h7HAT IF ) AM JUST STARTING OUT AND HAVENT DONE ANY COMMISSIONED REMIXESYETv4HEELUSIVElRSTCOMMISSIONEDhOFlCIALvREMIXISONEOFTHEHARD ESTTOGETBECAUSEYOUHAVETOASKPEOPLETOTAKEACHANCEONYOURABILITIES3O ITISAGOODIDEATOHAVEsomethingTOSENDTHEMEVENIFITISONLYABOOTLEGORA REMIXTHATYOUHAVEDONEUSINGANACAPPELLAVOCAL)TWILLSHOWYOURTECHNICAL SKILLSANDYOURCREATIVEABILITYANDSENSEOFORIGINALITY9OUWONTGETPAID FOR DOINGTHESElRSTFEWREMIXESBUTITWILLBETIMEWELLSPENTIFITHELPSYOUGETTHAT lRSTGIGANDSTARTBUILDINGUPYOURCATALOGOFhOFlCIALvREMIXES

)REALIZETHAT)MAKEITSOUNDQUITEEASYDOACOUPLEOFUNOFlCIALREMIXESDO ABITOFSELF PROMOTIONSENDA#$TOAFEWLABELSGETYOURlRSTOFlCIALREMIXDO SOMEMORESELF PROMOTIONSTARTBUILDINGUPYOURSHOWREELMORESELF PROMOTION STARTMAKINGCONTACTSGETMOREPAIDWORKANDSOON)AMSURETHATMOSTOF YOUWILL KNOW BY NOW THAT IT REALLY ISNT AS QUICK AND EASY AS THAT BUT THAT REALLYISTHEFUNDAMENTALPROCESS!NYONEOFTHESTAGESCOULDTAKEALONGTIME ORALITTLERELATIVELYSPEAKINGANYWAY TIMEORYOUCOULDENDUPBEINGSTUCKAT ANYGIVENSTAGEFORQUITESOMETIME4HEREARENOGUARANTEESOFSUCCESSORMAGIC FORMULAFORTHISORFORPRETTYMUCHANYOTHERJOBINTHEWORLDMUSICINDUSTRY OROTHERWISE BUTIFYOUHAVETAKENTHETIMETOBUILDUPYOURSKILLSANDHON ESTLYBELIEVETHATYOUHAVEWHATITTAKESTOBEABLETODOTHISFORALIVINGTHEN YOUHAVETOKEEPWORKINGAWAYONTHEBACK ENDSTUFFTHEBORINGSTUFFTHESTUFF WEALLNEEDTODOEVERYWEEKOREVERYMONTHWHENWEWOULDRATHERBEINTHE STUDIOWORKINGONSOMETHINGMUSICAL

/NElNALTHINGTOMENTIONBEFOREWEMOVEONISTHEISSUEOFCOPYRIGHT)FYOU HAVECOMPLETEDAREMIXFORARECORDLABELINALMOSTEVERYCIRCUMSTANCE)CANT ACTUALLYTHINKOFANYEXCEPTIONS)HAVEEXPERIENCEDPERSONALLY THERECORDLABEL WILLBETHESOLEOWNEROF THECOPYRIGHTOF THEREMIXWHETHERYOUGOTPAIDOR NOT/NTHESURFACETHATWOULDMAKEITSEEMLIKEYOUWOULDBEINFRINGINGTHEIR COPYRIGHTIFYOUWERETODISTRIBUTETHEPRODUCTTHEYOWNEDTHEREMIX%VENTHE PROCESSOFSENDINGOUTASHOWREELOFREMIXESYOUHADDONEWOULDSEEMTOFALL UNDERTHISUMBRELLAOFCOPYRIGHTINFRINGEMENT&ORTUNATELYITDOESNTNECESSAR ILY)N5NITED3TATES#OPYRIGHT,AWTHEREISADOCTRINECALLEDh&AIR5SEvWHICH ALLOWSTHEUSEOFOTHERWISECOPYRIGHTEDMATERIALASLONGASANUMBEROFFACTORS CANBESATISlED4HEFACTTHATSHOWREELSARENOT FOR PROlTANDWILLNOTHAVEANY EFFECTONTHEMARKETOF THESONGYOUHAVEREMIXEDAS THEYARENTBEINGMADE AVAILABLETOTHEGENERALPUBLICWOULDCERTAINLYGOALONGWAYTOWARDSATISFYING THOSECRITERIA!NDWHILE)AMNOTINAPOSITIONTOOFFERLEGALADVICEINANYWAY PLEASECONSULTASOLICITORIFYOUHAVEanyLEGALQUESTIONS )HAVEBEENUNABLE TOlNDASINGLECASEOFAPERSONBEINGPROSECUTED FORCOPYRIGHT INFRINGEMENT FOR INCLUDING A REMIXSONGMOVIEHEOR SHEHAS LEGITIMATELYWORKEDON AS A PARTOFASHOWREEL)FYOUWERETOMAKETHATSHOWREELORANYINDIVIDUALTRACKS AVAILABLETOTHEGENERALPUBLICTHATWOULDBEADIFFERENTMATTERASTHESALESOF THETRACKMOVIECOULDWELLBECOMPROMISEDBYTHEFREEVERSIONYOUAREMAKING AVAILABLE

3HOWREELSAREWHATYOUSENDTOA RECORD LABELCOMPANYWHENYOUARE TRYING TOCONVINCETHEMTOGIVEYOUTHEGIGBUTATSOMEPOINTYOUWILLPRESUMABLY BEHOPINGTHATPEOPLEWILLSTARTCOMINGTOyouTOREMIXTHEIRTRACKSRATHERTHAN YOU HAVING TO CHASE THEM 4HATWOULD NORMALLY START TO HAPPENWHEN YOUR PROlLEGETSHIGHENOUGHBUTTHEREARETHINGSYOUCANDOTOMAYBEGIVETHINGS ALITTLEHELPINGHANDTOMOVETHEMALONG)THINKITWOULDBEGOINGTOOFARTO SAYTHATTHEMUSICINDUSTRYWASACTUALLYbuiltONHYPEBUTTHEREISCERTAINLYA LOTOFITAROUND3OWHILEYOUAREWAITINGFORYOURSHOWREELTOBUILDUPWITH COMMISSIONEDWORKYOUCANCERTAINLYSTARTGETTINGABUZZBUILDINGABOUTYOU THROUGHTHEPOWEROFTHE)NTERNET

SOCIAL NETWORKING: A BRIEF HISTORY !LTHOUGH THE PRINCIPLES BEHIND IT BEGAN LIFEMUCH EARLIER THEWORLD OF SOCIAL NETWORKINGREALLYBEGANITSMETEORICRISETOPROMINENCEBACKINWITHTHE LAUNCHOF &RIENDSTER 4HIS SITEWASORIGINALLY LAUNCHEDAS A SAFEPLACE FORBUSY PEOPLETOEXPANDTHEIRNETWORKOFFRIENDSANDSOCIALCONTACTS)TWASAGREATSUC CESS RIGHT FROMTHE STARTAND THE IDEAWAS SOONADAPTEDBY THENOW LEGENDARY -Y3PACEWHICHTOOKTHEBESTIDEASFROM&RIENDSTERANDBUILTUPONTHOSE/VER THEFOLLOWINGYEARSTHE-Y3PACEUSER BASEGREWTOOVERMILLIONUSERSANDTHE SITEEXPANDEDFROMBEINGAPURELYSOCIALANDFRIEND BASEDSITETOBEINGAHUGE )NTERNET PORTAL FOR BANDS ANDMUSIC )TWASNT LONG BEFORE EVERY BAND HAD ITS OWN-Y3PACEPAGEWITHPHOTOSVIDEOSANDMUSICTRACKSFORPEOPLETOLISTENTO

)NMANYWAYSTHESE-Y3PACEBANDPROlLEPAGESTOOKOVERFROMTHEIDEAOFA BANDHAVINGITSOWNFANCLUB"YHAVINGWHATAMOUNTEDTOAHUGEMAILINGLIST OFhFRIENDSvORFANSINTHISCONTEXT BANDSCOULDINTERACTTOSOMEEXTENTWITH THEPEOPLEMOSTLIKELYTOBUYTHEIRMUSIC)TOFFEREDTHEBANDSAFREE MEANS OFINFORMINGTHEIRFANSOFNEWSUPCOMINGRELEASESANDCONCERTSANDOFFERED THEFANSNEARINSTANTACCESSTOTHATINFORMATIONANDAMEANSTOINTERACTDIRECTLY WITHTHEBANDORMOSTLIKELYANhAPPOINTEDREPRESENTATIVEvMOREDIRECTLYTHAN EVERPOSSIBLEBEFORE)TWASPERHAPSTHISFEELINGOFBEINGABLETOSENDAMES SAGETOTHEBANDDIRECTLYTHATBECAMEONEOFTHEBIGGESTATTRACTIONSOF-Y3PACE TOMUSICFANS

6ERY SOON AFTER THIS THE INEVITABLE SLEW OF IMITATORS AND A FEW INNOVATORS CAMEALONGANDTHEWORLDWASSUDDENLYBRISTLINGWITHSITESLIKE-Y3PACEAND hSOCIAL NETWORKINGv BECAME THE NEW BUZZWORD IN BOTH INDUSTRY AND SOCI ETY9OUWERENTANYBODYUNLESSYOUHADA-Y3PACEACCOUNT3OMANYBANDS ANDARTISTSANDREMIXERS HOPPEDONTHESOCIALNETWORKINGBANDWAGONAND STARTEDTOBUILDUPAGOODAMOUNTOFhFRIENDSv"UTHEREINLIESTHElRSTPROB LEM7EBSITESLIKETHESEHAVEATENDENCYAMONGAGOODNUMBEROFPEOPLETO ENCOURAGE POPULARITY CONTESTS WITH PEOPLE SEEKING TO HAVE ASMANY FRIENDS ASTHEYCANWITHOUTBEINGOVERLYSELECTIVE!SARESULTOF THIS IT ISALMOSTCER TAIN THATANYBANDORARTISTON-Y3PACEWILLHAVEANOT INSIGNIlCANTPROPOR TIONOFTHEIRhFANSvWHOARENTREALLYFANSATALLSOTHENUMBERSCANBESLIGHTLY MISLEADING.ONETHELESS SENDING OUT A BULLETIN ON-Y3PACE TAKES THE SAME AMOUNTOFTIMEWHETHERITISTOONEPERSONORTOSOTHEREISREALLYNO HARMINHAVINGPEOPLEINYOURFRIENDSLISTWHOARENTREALLYFANSBECAUSETHEY WILLSIMPLYIGNORETHEBULLETINYOUSENDOUT

4HIS EASEOF SENDINGOUTBULLETINSHOWEVER SOON CAME TOBE ABUSED LIKE SO MANYOTHERTHINGSTHATARERELATEDTOTHE)NTERNET5NSCRUPULOUSPEOPLESOON STARTED SENDING OUTMESSAGES THATWERE NOTHINGMORE THAN ATTEMPTS TO REDI RECTTHEREADERTOAWEBSITETOTRYTOGETTHEMTOBUYORSIGNUPFORSOMETHING AND-Y3PACEVERYQUICKLYBECAMEmOODEDWITHMESSAGESOFTHISKINDANDLOST QUITEABITOFPOPULARITY"Y THIS TIMEHOWEVER THEREWEREALREADYANUMBER OF OTHER SITES THAT WHILE PERHAPS NOT OFFERING A DEDICATED hMUSICv SECTION OF THESITEDIDSTILLOFFERMOST IFNOTALLOF THESAMEOPPORTUNITIES TOBANDS

AND ARTISTSWISHING TO PROMOTE THEMSELVES 3ITES SUCH AS ,INKED)N AND"EBO ATTRACTED LARGE NUMBERS OF SUBSCRIBERS BUT IT WAS EVENTUALLY &ACEBOOK THAT TOOKTHECROWNOFTHEMOSTPOPULARSOCIALNETWORKINGSITE

&ACEBOOKOFFERSANUMBEROFFEATURESSIMILARTO-Y3PACEBUTWITHOUTTHEDEDI CATED hMUSICv PAGES 4HERE IS ALSO NOMUSIC PLAYER AT LEAST NOT hNATIVELYv ONA&ACEBOOKPAGEWHICH IS ADElNITEDOWNSIDE TO&ACEBOOK"UT THEPEO PLEBEHIND&ACEBOOKWERE VERY CLEVER IN THAT THEYMADE THE SITE ALMOST INl NITELY EXTENSIBLE BY THE USE OF hAPPSvWHICH ADD ADDITIONAL FUNCTIONALITY TO A &ACEBOOK PAGE TO THOSEWHO ACTUALLYWANT IT &ACEBOOKWAS STILL PRIMARILY A SITE SET UP FOR ACTUAL personal NETWORKING RATHER THAN business NETWORKING IN THE SENSE THATWOULDBEUSEFUL FORPEOPLE IN THEMUSIC INDUSTRY4HISWAS REMEDIEDWITHTHEADDITIONOFhFANPAGESv7ITHAhFANPAGEvSETUPYOUHAVE PRETTYMUCH ALL OF THE DAY TO DAY FUNCTIONALITY YOUWOULDWANT AS AN ARTIST ANDEVERYTHINGYOUUSEDTODOON-Y3PACEISNOWPOSSIBLEONYOUR&ACEBOOK ACCOUNT4HEONLYTHINGSOMEPEOPLEFEELISLACKINGISTHEABILITYTOCUSTOMIZE THE VISUAL ASPECTS OF YOURPAGE IN THE SAMEWAY YOU CANWITH-Y3PACE 9OU CANWITH-Y3PACEHAVEAPAGEBACKGROUNDANDFONTCOLORANDSTYLESTHATARE INKEEPINGWITHOTHERBRANDINGYOUMIGHTHAVEHADELSEWHEREWHEREASEVERY &ACEBOOK PAGE HAS THE SAME OVERALL APPEARANCEMAKING ITMORE DIFlCULT TO ESTABLISH VISUAL BRANDING IN THE SAMEWAY-Y3PACE ALLOWED YOU TO "UT THIS HASNT DETRACTED PEOPLE AND AS OFWRITING THIS &ACEBOOK NOWHAS OVER MILLIONUSERSWORLDWIDE

4HEACTUALSEARCHMETHODSANDTHEWHOLEPROCESSOFADDINGFRIENDSORFANSON &ACEBOOKMAKESITLESSLIKELYTOBEABUSEDINTHESAMEWAY-Y3PACEWASBUTIT DOESSTILLSUFFERTOASIMILAREXTENTFROMTHEhPOPULARITYCONTESTvEFFECT-Y3PACE HAS4HISISANINCONVENIENCEAS)MENTIONEDEARLIERBUTITISINREALITYAFAIRLY SMALLPRICETOPAYFORTHEBENElTSTHATCANBEHAD

)NADDITIONTOTHESOCIALNETWORKINGSITESTHEREAREACOUPLEOFOTHERTHINGSTHAT FALLBROADLYUNDERTHESAMEHEADING4WITTER3OUND#LOUDAND9OU4UBE)AM PRETTYSURETHATMOSTOFYOUWILLATTHEVERYLEASTHAVEHEARDABOUT4WITTERAND MOSTLIKELYALREADYHAVEANACCOUNTSOYOUPROBABLYALREADYKNOWTHEBASIC IDEA)GUESSTHATITISPROBABLYCLOSERTOABLOGGINGSITETHANASOCIALNETWORK BUTASYOUCANSUBSCRIBE TOSOMEONESBLOGANDBECOMEAhFOLLOWERvANDBE LISTEDASSUCHITDOESTAKEONANELEMENTOFSOCIALNETWORKING4WITTERHASIN RECENTTIMESSEENANEXPLOSIONOFPOPULARITYWITHPEOPLE4WEETINGABOUTANY THING FROMTHEMUNDANE TO THEMONUMENTALBUT TOMEAT LEAST IT ISONEOF THEBESThVALUEFORTIMEvSOCIALNETWORKSTHEREISSIMPLYBECAUSEYOUDONTGET BOGGEDDOWNINCOMPLEXITY0OSTSORTWEETSAREVERYSIMPLEAFFAIRSANDTHERE AREAPPLICATIONSFORMANYSMARTPHONESNOWTHATENABLEYOUTOTWEETONTHE MOVE )TS SIMPLE SHORTDIRECTAND TO THEPOINT/NCEYOUBUILDUPA LISTOF FOLLOWERSYOUCANUSE4WITTERASAMEANS TOEITHERGIVE THEMINFORMATIONOR REDIRECT THEM TO ANOTHERWEBSITE FORMORE INFORMATION SHOULD YOU NEED TO 9OUWOULDPROBABLYSTILLNEEDEITHERA&ACEBOOKOR-Y3PACEORSIMILAR PAGE ORANACTUALWEBSITE TOBEABLE TOGIVEPEOPLEANYTHINGOF SUBSTANCEBUT ITS

hLOWMAINTENANCEvAPPROACHISWHATMAKESITAVERYGOODTIMEINVESTMENTIN MYOPINION

3OUND#LOUD ISA FAIRLYNEWKIDONTHEBLOCKAND LIKE4WITTER IT TAKESADIF FERENT APPROACH FROM THEOTHER SOCIAL NETWORKING SITES )N FACT SOMEPEOPLE MIGHT NOT REALLY CONSIDER IT A SOCIAL NETWORK AND TECHNICALLY THEY COULD BE RIGHTBUTTHEFACTTHATLIKE4WITTERYOUCANHAVEPEOPLEWHOSUBSCRIBETOYOUR ACCOUNT ANDWHO CAN THEN RECEIVEMESSAGES AND INFORMATION FROMYOUPUTS IT AT LEAST LOOSELY INTO THE SOCIALNETWORKING CATEGORY FORME 3OUND#LOUD IS FOCUSEDONONETHINGANDONETHINGONLY3OUND3OUND#LOUDISNTCONCERNED WHATMOODYOUAREINORIFYOUHAVESOMEPHOTOSFROMYOURLASTCRAZYNIGHT OUTALLITISABOUTISMUSIC)TISINESSENCEAGLORIlEDONLINEMEDIAPLAYERAND lLESTORAGELOCATIONFORTHEMUSICPRODUCERORARTIST9OUCANUPLOADTRACKSAND YOUCANSPECIFYIFTHEYAREORARENOTDOWNLOADABLEYOUCANUPLOADTRACKSAS YOUGOALONGSUBJECTTOCERTAINLIMITS ANDEACHHASITSOWNDEDICATED52, WHICHYOUCAN THENEMAIL TOPEOPLESO THEYCANGO TO THE RELEVANTPAGEAND EITHERSTREAMORDOWNLOADTHEMUSIC3OMENICETOUCHESARETHEABILITYFORLIS TENERSTOPOSTCOMMENTSONTHETRACKSANDTOACTUALLYATTACHTHEMTOAPARTICU LARPOINTONTHETRACKTHATSPLAYING4HEYCOULDEFFECTIVELYATTACHACOMMENT TOACERTAINPARTOFASONGANDTHEREFOREMAKETHEIRCOMMENTMORECLEARAND RELEVANTSEEINGASYOUALREADYKNOWWHICHPARTOFTHESONGTHEYAREREFERRING TO)THINKITISAUSEFULSITEBUT)AMYETTOBEFULLYCONVINCEDABOUTITPURELY BECAUSE APART FROM THEABILITY TOATTACHCOMMENTS TO THE TRACK INPARTICULAR PLACES ) REALLY DONT SEEWHAT IT OFFERS THAT CANT BE ACHIEVEDWITH A 4WITTER ACCOUNT AND EITHER YOUR OWNWEBSITE FOR UPLOADING YOUR lLES TO OR ALTERNA TIVELY AN ACCOUNT WITH SOMETHING LIKE 3END3PACE www.sendspace.com OR 9OU3END)Twww.yousendit.com TOUPLOADYOURlLESTO

&INALLY WE SHOULD PROBABLY MENTION 9OU4UBE /NCE AGAIN AND LIKE BOTH 3OUND#LOUDAND4WITTERITISNTREALLYASOCIALNETWORKINTHETRADITIONALSENSE BUT AS ) STATED FOR 3OUND#LOUD THE FACT THAT OTHER USERS CAN hSUBSCRIBEv TO YOURh#HANNELvMEANSTHEREARESOCIALNETWORKINGELEMENTSCOMINGINTOPLAY )NQUITEAFEWWAYSTHEUSESTOUSASREMIXERSANDPOSSIBLYARTISTSOURSELVES AREQUITESIMILARTOTHOSEOF3OUND#LOUDBUTWITHAFEWDIFFERENCESONEVERY OBVIOUS DOWNSIDE AND A FEW EXTRA BENElTS 4HE OBVIOUS DOWNSIDE IS THAT 9OU4UBE IS Avideo SITE ANDYOU CANT ACTUALLYUPLOAD-0OR7!6!)&&lLES FORPEOPLETOLISTENTOATLEASTNOTDIRECTLY)TISPRETTYSIMPLETOMAKEAhVIDEOv USINGRUDIMENTARYANDOFTENFREEVIDEOSOFTWAREFORBOTH-ACAND0# IFALL YOUWANTTOACHIEVEISTOGETYOURMUSICUPONTO9OU4UBETOBEAVAILABLEFOR PEOPLETOLISTENTO!LLYOUNEEDISA*0%'OR"-0IMAGEPERHAPSYOURLOGO IFYOUHAVEONE ANDTHE-0OR7!6!)&&AUDIOlLEANDTHENINNOTMUCH MORETHANAFEWMINUTESYOUCANCREATEAhVIDEOvTHATISSIMPLYASTATICIMAGE WITHYOUR AUDIOPLAYING 3O ITWONTBE VERY INTERESTING FORPEOPLE TOWATCH BUTTHATMIGHTNOTBETOOMUCHOFACONCERNFORYOU/NCEYOUHAVECREATED THIShVIDEOvYOUCANUPLOADITANDASSUMINGTHATYOUENTERINALLOFTHEINFOR MATIONANDtagsPROPERLYITWILLSOONBESEARCHABLEBYTHEPEOPLEWHOWATCH THEESTIMATEDBILLIONVIDEOSPERDAY.OTONLYWILLITBESEARCHABLEBUTIFYOU

ARECLEVERWITHYOURTAGSITWILLALSOSHOWUPINTHEh2ELATED6IDEOSvSECTION SOYOUSHOULDGETSOMEVIEWSFROMPEOPLEWHOMIGHTNOTHAVESEARCHEDFOR YOURTRACKDIRECTLYBUTHAVECOMEACROSSITBYSIMPLYBROWSINGTHROUGHTHEVID EOSANDRELATEDVIDEOLINKS

/NEOF THEMAINBENElTSOF9OU4UBEIS THESHEERVOLUMEOFUSERS ITHAS9OU STILLNEEDTOWORKHARDTOGETTHETAGSRIGHTSOYOURVIDEOHASTHEBESTCHANCE OF SHOWING UP IN SEARCH LISTINGS BUT THERE IS POTENTIAL huge POTENTIAL SO ITS DElNITELYWORTHLOOKINGINTO)NFACTACCORDINGTOSOMEADVICE)WASGIVENBY %DDIE'ORDONOF-EDIA2ADIOFAMEwww.media2radio.com 9OU4UBEHASNOW BECOMETHElRSTPLACEPEOPLEWILLGOTOONLINETOSEARCHFORMUSIC1UITEABIG STATEMENT TOMAKEANDQUITEANIMPORTANTONETO LISTENTO IFYOUARE LOOKING FORWAYS TOPROMOTEYOURSELF/NEQUICKWORDOFADVICE THOUGH9OUREMEM BER WE SPOKE ABOUT SHOWREELS A LITTLE EARLIER AND ABOUT hFAIR USEv $O YOU REMEMBERME SAYING THAT SHOWREELSWERE GENERALLYOKAYBECAUSE YOUWERENT MAKINGTHEMAVAILABLETOTHEPUBLIC7ELL9OU4UBEISAveryPUBLICPLACESOIF YOUWEREUPLOADINGREMIXESYOUHADDONEONTO9OU4UBEASAMEANSOFHAVING ANONLINESHOWREELYOUWOULDBEWELL ADVISEDTOTALKTOANYRECORDLABELSYOU HAVEWORKEDFORANDASKTHEIRPERMISSIONBEFOREYOUACTUALLYUPLOADANYTHING -OSTOFTHEMWILLBElNEWITHITBUTWILLPROBABLYASKTHATYOUDONTUPLOAD ANYTHING UNTIL THEY HAVE GIVEN YOUPERMISSION TO SO THAT IT DOESNT INTERFERE WITHTHEIRPROMOTIONALPLANSORDISRUPTTHEIRSALES!NDASALWAYSINSITUATIONS LIKETHESEFULLNOTIlCATIONOFTHEOWNERSOFTHECOPYRIGHTTOTHETRACKISALWAYSA VERYGOODIDEA

.EXTWE LOOKATWHYANDHOWSOCIALNETWORKINGSITESAREUSEFUL TOA REMIXER SUCHASYOURSELF

USING SOCIAL NETWORKING TO YOUR ADVANTAGE )MENTIONEDEARLIERINTHISCHAPTERTHATTHEREARETHINGSYOUCANDOWHENYOU ARESTARTINGOUTOREVENLOOKINGTODEVELOPYOURREMIXINGCAREERFURTHER THAT WILL HELP YOU TOBUILD hPROlLEv ANDWILL EVENTUALLY HELPMAKE IT EASIER FOR YOUTOGETWORK4HEMUSICINDUSTRYISVERYCOMPETITIVEANDTHEREARESOMANY PEOPLEOUTINTHEWORLDCOMPETINGFORARELATIVELYSMALLAMOUNTOFWORKTHAT ANYTHINGYOUCANDOTOHELPYOURSELFGETACOMPETITIVEEDGEISHUGELYBENEl CIALTOYOUINTHELONGRUN3OCIALNETWORKINGSITESCANHELPYOUINTHISRESPECT BY ALLOWING YOU TO BUILD UP FANS OR FOLLOWERSFRIENDS AND GIVING YOU A MEANSOFDIRECT CONTACTWITH THEM!SA REMIXERHOWEVER YOUWILLPROBABLY ENDUPUSING THE SITES SLIGHTLYDIFFERENTLY FROM THEWAY INWHICHA RECORDING ARTIST SINGER OR BANDWOULD SIMPLYBECAUSE THEPART OF THE INDUSTRYWE ARE WORKINGINHASADIFFERENTDYNAMICANDMINDSETWHICHWENEEDTOTAKEINTO CONSIDERATION

4HE FUNDAMENTAL DIFFERENCE IS THAT AS A REMIXER YOUWANT TO APPEAL TO!2 PEOPLE $*S AND THE GENERAL PUBLIC WHILE A RECORDING ARTIST OR BANDWOULD PROBABLYBEMOREINTERESTEDINPROMOTINGTHEMSELVESTOTHEGENERALPUBLICAS THEYWILLBETHEONESWHOULTIMATELYBUYTHEIRMUSIC9OUSEEASAREMIXERYOU

ARENOTRELIANTONHEAVYSALESANDTOURANDMERCHANDISINGINCOMEASMANYOF TODAYSRECORDINGARTISTSAREBUTYOUareRELIANTONHEAVYSUPPORTFROMCERTAIN KEY$*S 4HERE ARE A FEW REASONS FOR THIS THE lRST OFWHICH IS THAT ONMOST POPSINGERSANDACTSTHEREMIXESMAYWELLBEINCLUDEDONTHE#$DOWNLOAD PACKAGEBUTTHEYWILLINMOSTCASESCONTRIBUTEAVERYSMALLPARTOFTHEOVER ALLSALESlGURESFORTHATTRACK3OSALESANDREVENUEARENTUSUALLYAMOTIVATING FACTORINPOPARTISTSHAVINGREMIXESDONEOFTHEIRTRACK4HESIMPLEFACTISTHAT CLUBMUSICANDCLUBCULTUREAREHERETOSTAYANDhugeNUMBERSOFPEOPLEGOTO CLUBSONTHEWEEKENDS"YGETTINGREMIXESDONE RECORD LABELSAREABLE TOGET THEIRARTISTSSONGSHEARDINANENVIRONMENTWHERETHEYWOULDNTOTHERWISEBE HEARD4HATISPROBABLYTHEMAINREASONFORHAVINGCLUBREMIXESOFPOPRECORDS THESEDAYS2EMIXINGHASBECOMEAPARTOF THE FURNITURE IN THEMUSIC INDUS TRYTODAYAND!2PEOPLEATMOSTMAJORLABELSALMOSTTAKEITFORGRANTEDTHAT REMIXESWILLBEDONEIFTHETRACKISATALLAPPROPRIATEFORREMIXINGANDINSOME CASESEVENIFTHETRACK isn’tAPPROPRIATE THEDECISIONCOMESDOWNTOABUSI NESSDECISIONATTHATPOINTWHOANDHOWMUCH

4HE SIMPLE ANSWER TO THE hHOW MUCHv QUESTION ISvAS LITTLE AS POSSIBLEv 2ECORD LABELS ARE BUSINESSES AND THEY EXIST TOMAKEMONEY "ECAUSE OF THAT THEYWONT SPENDMONEYUNNECESSARILYANDWITHOUTBEINGABLE TO FULLY JUSTIFY IT4HATSWHYIFYOUDONTREALLYHAVEANYMAJORREMIXINGACHIEVEMENTSTOYOUR NAMEINTHEPASTYOUWILLBEHARD PUSHEDTOGETANYDECENTAMOUNTOFMONEY OUTOFTHEM"UTTHEREISSTILLMONEYTOBEMADEONCEYOUAREESTABLISHEDAND HAVEABITOFATRACKRECORD4OGIVEYOUSOMEEXAMPLESAS)WRITETHIS)KNOW OFAT LEAST A FEW REMIXERSWHOCANCOMMAND FORA SINGLE REMIXBUT THATREALLYDOESREPRESENTTHEABSOLUTEPEAKATTHISTIME4ENYEARSAGOTHATlG UREWOULDHAVEBEENCLOSER TOBUTTHEMUSIC INDUSTRYHASSUFFEREDA SUBSTANTIALDECLINESINCETHEN4OBEHONESTTHOUGHIFYOUDIDGETYOURSELFINTO THATPOSITIONFORASINGLEREMIXISNTthatBADISIT/NAMOREREALISTIC LEVELITISQUITEPOSSIBLETHATAFTERYOUHAVESTARTEDGETTINGSOMEBIGGERREMIXES YOUCANSTARTGETTINGFEESOFTOFORAREMIXANDTHENWORKINGYOUR WAY UP FROM THERE 4HERE ARE VERY FEW REMIXERS WHO WILL GET FOR A REMIXAFEWWHOWILLGETQUITEAFEWWHOWILLGETnMANY WHOWILLGETANDAlotWHOWILLGETBETWEENAND7HENYOU STARTOUTBEPREPAREDTODOTHEMFOREVENLESSTHANTHATORPOSSIBLYFORYOUR lRSTREMIXESHAVETODOTHEMFORFREEJUSTTOBUILDTRUSTESTABLISHYOURBRAND ANDGETSOMETHINGTOGETHERTOPUTONYOURSHOWREEL

7HENTALKINGABOUTTHEhWHOvTHEREAREAMASSIVENUMBEROFTHINGSTOFACTOR INTHESIZEOFTHERECORDLABELPOPULARITYOFTHEARTISTSUCCESSOFTHELASTSINGLE WHO REMIXED THE LAST SINGLEWHOOUTOFALLOF THE REMIXERSOF THE LAST SINGLE SEEMEDTODELIVERTHEMOSTWELL RECEIVEDREMIXWHATSTYLETHEPOSSIBLEREMIX ERSAREWHATSTYLEISde rigueurATTHEMOMENTANDMANYOTHERS

4HESIZEOFTHERECORDLABELANDTHEPOPULARITYOFTHEARTISTWILLHAVEANIMPACT ON THE DECISION AS TO WHICH REMIXERS ARE CONSIDERED FOR LARGELY BUDGETARY REASONS0UTSIMPLYABIGGERARTISTONABIGGERRECORDLABELWILLHAVEABIGGER

BUDGETFORREMIXERSWHICHNORMALLY WILLMEANBIGGERREMIXERS4HATDOESNT HOWEVERPUTYOUOUTOFTHERUNNINGIFYOUAREJUSTSTARTINGOUTBECAUSETHERE ISALWAYSACHANCETHATALABELWILLCOMMISSIONALESSER KNOWNREMIXERTOWORK ONTHEREMIXPACKAGEFORAMUCHSMALLERFEEJUSTTOADDADIFFERENThmAVORvTO THEEXISTINGMIXESWITHOUTADDINGTOOMUCHTOTHEBUDGET

)TALSOHAPPENSTHATQUITEOFTENIFAREMIXERDOESAPARTICULARLYGOODREMIXFOR ANARTISTTHENTHEARTISTORLABELWILLASKFORTHATREMIXERTOWORKONTHEIRNEXT TRACKASWELL)NFACTSOMETIMESTHISCANGOONOVERAPERIODOFSEVERALRELEASES SPREADOVER A COUPLEOF YEARSOR LONGER 4HERE IS A LOT TOBE SAID FOR TRYING TO BUILDUPAGOODRELATIONSHIPWITHWHOMEVERISINCHARGEOFCOMMISSIONINGTHE REMIXES BECAUSEWITH A PROFESSIONAL HELPFUL AND COURTEOUS ATTITUDE AND OF COURSEGREATWORKYOUCANGETSOMEGOODREPEATBUSINESSFROMLABELSWITHOUT HAVINGTODOTHESALESPITCHEACHANDEVERYTIMEYOUARELOOKINGFORWORK"EAR INMINDTHOUGHTHATSTYLESANDTASTESDOCHANGEANDUNLESSYOUARECHANGING WITHTHATTOSOMEEXTENTTHEREISONLYACERTAINAMOUNTOFTIMEYOUCANRIDEOFF THEBACKOFYOURPREVIOUSSUCCESSWITHANYPARTICULARARTISTORLABEL

-OST RECORD LABELSWILL WANT TO GET THE TRACK PLAYED IN A VARIETY OF DIFFERENT CLUBSWHICHMEANS THEYWILL COMMISSION REMIXES ACROSS A VARIETY OF GENRES ORSUBGENRESATLEAST SOTHEOTHERREMIXERSTHEYHAVEALREADYCOMMISSIONED WILLPLAYAPART INWHO THEY CHOOSE TOlNISHUP THEPACKAGE )F THEYALREADY HAVE FOREXAMPLEACOUPLEOFHOUSEMIXES THENTHEYMIGHT LOOKTOANOTHER GENREFORTHElNALMIXRATHERTHANCOMMISSIONINGSOMEBODYTODELIVERAREMIX SIMILAR TOSOMETHINGTHEYALREADYHAVE!PARTOF THISWILLSOMETIMESINVOLVE GETTINGREMIXESFROMUP AND COMINGREMIXERSINGENRESTHATAREJUSTBECOMING POPULARSOIFWHATYOUAREDOINGISALITTLEDIFFERENTANDINSOMEWAYATLEAST CUTTINGEDGEYOUMIGHTHAVEABETTERCHANCEOFGETTINGTHEGIGTHANIFYOUWERE COMPETING AGAINST THE ESTABLISHED hBIG BOYSv IN ANOTHER GENRE 4HE mIP SIDE OF THATPOSITION IS THATWHATYOUAREDOINGMIGHTBE CONSIDERED TOOhUNDER GROUNDvORRISKYSOYOUMIGHTACTUALLYREDUCEYOURCHANCESOFGETTINGTHEGIG COMPAREDTODOINGSOMETHINGSAFER

4HETRUTHISTHATYOUREALLYSHOULDNTCHASEANYPARTICULARSTYLEJUSTTOTRYTOGET WORK BECAUSE THATWILL RARELY SUCCEED 4RY TO DO SOMETHING THAT REALLY RESO NATESWITHYOUYOUFEELCOMFORTABLEDOINGANDYOUenjoyDOING9OUSHOULD DElNITELYPUSHYOURSELF AND TRY TODEVELOPYOUROWNUNIQUE SOUNDBUTYOU SHOULDDO IT INYOUROWNWAYRATHER THANTRYING TO JUMPONTHE LATESTBAND WAGONSIMPLYTOTRYTOSTEALAPIECEOFTHEACTION"YDOINGSOMETHINGYOUARE REALLY INTOYOUWILLBEABLE TO INJECTANEXCITEMENTANDDYNAMISMINTOYOUR WORKWHICHALONGWITHSOMEGOODSELF PROMOTIONWILLGOAGOODWAYTOWARD GETTINGYOUESTABLISHEDANDWELLONYOURWAYTOBETTERPAIDWORK

)FTHISISPRETTYMUCHHOWTHEINDUSTRYWORKSTHENWHYBOTHERWITHTHEWHOLE SOCIAL NETWORKING THING7ELL AS ) IMPLIED EARLIER HOWMUCH YOU COULD GET PAIDISATLEASTPARTLYDEPENDENTONYOURhPROlLEv3UREYOUCANRAISEYOURPRO lLEBYREMIXINGSOMEBIGRECORDSANDGETTINGYOURNAMEINTHECLUBCHARTSASA REMIXER4HATISTRADITIONALLYHOWITISDONE)FYOUAREA$*ASWELLTHENGETTING

REGULAR$*BOOKINGSANDWORKINGINSOMEBIGGERGIGSEVERYNOWANDTHENWILL ALSOHELP "UT SOCIAL NETWORKING IS ABOUTnetworking AND INMANY CASESWHO YOUKNOWCANHELPOPENDOORSANDGETYOUWORKTHATYOUMIGHTNOTHAVEOTHER WISEGOTTEN

9OUMAY BE ABLE TO TRACK DOWN SOMEPEOPLEWHOWORK FOR RECORD LABELS ON &ACEBOOKBUTIFYOUSENDTHEMAFRIENDREQUESTANDTHEYHAVENOIDEAWHOYOU AREITSTANDSAGOODCHANCEOFNOTBEINGACCEPTED(OWEVER$*SMIGHTBEMORE OPENTOHAVINGNEWPEOPLEONTHEIRFRIENDSLISTSANDOFTENAPOLITEREQUESTASK ING THEMIF THEYWOULDBEHAPPY FORYOU TO SEND THEMNEWMATERIALYOUARE WORKING ONWILL BEMETWITH A POSITIVE REPLY !FTER ALL$*S ARE ALL ABOUT THE MUSIC THEYPLAYAND IF THEYCANGETBRANDNEWMUSIC FREEOFCHARGEBYBEING PARTOFYOURPROMOLISTTHENUNLESSYOURMUSICREALLYISNTUPTOSTANDARDAND YOUWOULDNTBESENDINGITOUTTOPEOPLELIKETHATIF ITWASWOULDYOU ORIT REALLYISNTTHEKINDOFMUSICTHEYPLAYTHEYWILLPROBABLYBEMORETHANHAPPY TODOSO/FCOURSEYOUDONEEDTODOAT LEASTALITTLEHOMEWORKHERETOlND OUTWHATTHEYdoPLAYBUTTHATSHOULDNTREALLYBETOOHARDTODO

4HE TEMPTATION WHEN APPROACHING BOTH RECORD LABELS AND$*S IS TO GO FOR THEBIGGESTNAMESlRST4HISMAKES SENSEBECAUSE LIKE EVERYBODYELSE IN THIS INDUSTRYYOUAREAIMINGFORTHETOP!NDWHILE)WOULDNEVERDISCOURAGEYOU FROMAIMINGHIGH)WOULDALSOADVISEYOUTOREMEMBERTHATTHEREAREALOTOF SMALLERLABELSANDLESSER KNOWN$*STHATMIGHTSTILLBEABLETOOFFERYOUWORK OR SUPPORT FOR THE WORK YOU ARE ALREADY DOING "ECOMING A SUCCESS ISNT all ABOUTGETTINGWORKFORTHEBIGARTISTSANDLABELSBECAUSETHEREAREGREATSONGS RELEASEDONSMALLERLABELSASWELLANDITMIGHTBEEASIERTOCONVINCEASMALLER LABELTOTAKEACHANCEONYOUIFYOUAREARELATIVEUNKNOWN

3OBYUSING&ACEBOOK-Y3PACE4WITTERANDWHICHEVERISTHENEWESTANDCOOL ESTSOCIALNETWORKATTHETIMEYOUAREREADINGTHISTOBUILDAGOODCOLLECTIONOF CONTACTSBYMAKINGSURETHATYOUKEEPTHOSECONTACTSUPDATEDWITHWHATYOU AREDOINGKEEPINGYOURNAMECONSTANTLYINTHEIRMINDWITHOUTBEINGANUI SANCEOFCOURSEANDnoSPAMMING YOUCANGETALEVELOFRECOGNITIONAMONG $*S THAT MIGHT TAKEMUCH LONGER TO DO THROUGHMORE CONVENTIONAL MEANS )HAVEMADESEVERALREFERENCESTHROUGHOUTTHISBOOKTOTHEIMPORTANCEOF$*S TOREMIXERSAND)WILLGOINTOMOREDEPTHINA#HAPTERONTHESPECIlCSOF THIS SYMBIOTIC RELATIONSHIPBUT FORNOW JUST REMEMBER THAT IN THEWORLDOF THE REMIXER THE$*S ARE QUITE POSSIBLY THEMOST IMPORTANT GROUP OF PEOPLE WHENITCOMESTOYOUBEINGSUCCESSFULORNOT

(AVINGSAIDTHATTHEREISNOREASONWHYYOUCANTSTARTBUILDINGAFANBASEFOR YOURWORKAMONG THEGENERALPUBLIC ASWELL7HETHERYOUHAVEWRITTENYOUR OWNMATERIALORHAVEPURELYBEENREMIXINGYOUCANSTARTPUTTINGYOURWORKUP ON-Y3PACEOR&ACEBOOKOROTHERSITESANDONCEITISAVAILABLEANDPEOPLESTART TOLISTENTOITYOUWILLlNDTHATSOMEOFTHEMWILLLIKEITANDSENDYOUAFRIEND REQUESTBECOMEAhFOLLOWERvORWHATEVERTHEFORMATISFORTHEPARTICULARSITE

9OU SEE WHAT THE )NTERNET HAS DONE IS PROVIDE A LEVEL PLAYING lELD WELL ALMOST LEVEL AT LEAST 3OCIAL NETWORKING SITES SITES SUCH AS "EATPORT AND

I4UNES AND THE POWER OF SEARCH ENGINES HAVE GIVEN EVERY SINGLEMUSIC PRO DUCER REMIXER AND ARTIST THE SAME TOOLS THE SAME CHANCE OF EXPOSURE AND THE SAME ACCESSIBILITY AND AVAILABILITY AS EVERY OTHER 4HIS IS THE THEORY AT LEAST5NFORTUNATELYWHILE EVERYBODYHAS THE SAMEOPPORTUNITIES SOMEPEO PLEAREINABETTERSITUATIONTOTAKEADVANTAGEOFTHEM3OTHEMORESUCCESSFUL YOU ARE THEMORE LIKELY YOU ARE TO BE IN A SITUATIONWHERE YOU CAN EMPLOY SOMEONE TO SPEND TIME DOING ALL THE PROMOTION WORK FOR YOU 7HEN YOU ARESTARTINGOUTANDEVENASYOURCAREERBEGINSTODEVELOPTHEREARESOMANY THINGSYOUHAVETODOYOURSELFFORlNANCIAL REASONS THAT IT ISOFTENHARDTO lND THE RIGHT BALANCE BETWEEN THE FUN STUFF WRITING PROGRAMMING REMIX ING EXPERIMENTING AND THE NECESSARY STUFF ACCOUNTS PAPERWORK PROMO TION AND THIS CAN VARY FROM WEEK TO WEEK DEPENDING ON HOWMUCH TIME YOUHAVE AVAILABLE 3O SELF DISCIPLINE ANDBEING ABLE TO STAY FOCUSED ARE VERY IMPORTANTTOO

4HEBIGGESTPROBLEMFACINGanyARTISTESTABLISHEDOROTHERWISEISTHATOFPUB LIC AWARENESS9OU COULDHAVE THEBESTMATERIAL IN THEWORLDBUT IFNOBODY KNOWSABOUTITNOBODYWILLBUYIT/RINTHECASEOFAREMIXERNOBODYWILL EMPLOYYOUTODOREMIXES4HAT IS REALLY THEKEYPOINTOFUSINGTHESESOCIAL NETWORKING SITES 7HERE A BAND OR SINGER WILL USE THOSE KINDS OF SITES TO INFORMTHERECORD BUYINGPUBLICTHATTHEYHAVEANEWSONGCOMINGOUTYOU ASAREMIXERCANUSETHESAMEPRINCIPLESTOINFORMPEOPLEWITHINTHEINDUSTRY OFWHATYOUHAVEBEENWORKINGONANDTOSELLYOURSERVICERATHERTHANYOUR PRODUCT TOTHEM4HEBIGGERYOURCONTACTLISTTHROUGHTHESESITESˆASSUMING YOUHAVEBEENADDINGPEOPLEWHOCOULDPOTENTIALLYBEUSEFULTOYOURATHER THAN JUST ADDINGPEOPLE RANDOMLYˆTHEMORE CHANCEYOUHAVEOF SOMEONE GETTINGINTOUCHWITHYOUTODOSOMEWORK"UTARETHESESOCIALNETWORKING SITESENOUGH

BEYOND SOCIAL NETWORKING %VENWITHALLTHEMEDIAATTENTIONTHATSITESSUCHAS&ACEBOOKGETONAREGULAR BASIS THEREARE STILLOTHER AVENUES TO EXPLORE,ETSHAVEABRIEF LOOKATOTHER ONLINEPROMOTIONALSTRATEGIES

4ENYEARSAGOWHEN)STARTEDPROFESSIONALLYINTHEMUSICINDUSTRYTHE)NTERNET WASWHILENOTEXACTLYANOVELTYNOWHERENEARASMUCHOFANIMPORTANTTOOL AS IT IS TODAY"UT TIMESMOVEQUICKLY AND ITWASNT LONGBEFOREHAVING YOUR OWNWEBSITEBECAMEESSENTIAL IF YOUWERE TOBE TAKEN SERIOUSLY IN THEMUSIC INDUSTRY3EVERALYEARSAGOITWASSEENASABRILLIANTLEAPFORWARDTHATYOUCOULD PLACE PHOTOS YOUR BIOGRAPHY DISCOGRAPHY AND OTHER INFORMATION ONLINE SO YOUDIDNTHAVETOKEEPSENDINGITTOPEOPLEINTHEMAIL!NDTHEFACTTHATYOU COULDALSOHAVECLIPSOFYOURMUSICAVAILABLE FORPEOPLE TO LISTEN TO INSTANTLY WAS QUITE REMARKABLE !RTISTS SPENT A LOT OF TIME SETTING UPWEBSITES TO PRO MOTETHEMSELVESANDITSTAYEDTHATWAYFORQUITEAWHILE4HENTHESOCIALNET WORKING SITES CAMEALONGAND AFTER AWHILE AT LEASTHAVEPRACTICALLYNEGATED THENEEDFORANARTISTWEBSITE

4ODAYMOREPEOPLEARELIKELYTOSEARCHFORANARTISTON-Y3PACE&ACEBOOKOR 9OU4UBETHANSEARCHFORTHEIRARTISTSWEBSITE)NFACTITHASGOTTENTOTHEPOINT WHERE MANY DANCE MUSIC ARTISTS AND PRODUCERS ONLY HAVE AN ARTIST WEBSITE SO THEYCANHAVE LINKS TO THEIR-Y3PACE&ACEBOOK4WITTER AND3OUND#LOUD PAGESALONGWITHANYOTHERSTHEYMIGHTHAVE 3OMEOFTHESEWEBSITESMIGHT CONTAIN A FEW PICTURES A BASIC BIOGRAPHY AND A CONTACT PAGE BUT OTHERWISE THEY SERVEMORE AS A PORTAL TO ACCESS ALL OF THE OTHER PAGES AS WELL AS PRE SUMABLYGIVING THEMARECOGNIZABLEEMAILADDRESS THAT IS LESSGENERIC THANA (OTMAILOR'MAILACCOUNT

$OYOUREALLYNEEDANYMORETHANTHATONYOURARTISTWEBSITE)NMYOPINION YESYOUDO4HE FACT REMAINS THAT FORALL THEOPTIONSAND FACILITIES THAT SOCIAL NETWORKING SITES GIVE YOU THERE ARE ALWAYS GOING TOBE THINGS YOUWOULDDO DIFFERENTLY IN AN IDEALWORLD-Y3PACE IS VISUALLY QUITE CUSTOMIZABLE BUT IN TERMSOFWHATYOUCANANDCANTINCLUDEONYOURPAGEITISRELATIVELYLIMITED &ACEBOOKISALSOQUITELIMITEDINTERMSOFWHATYOUCANINCLUDEBUTITISALSO VISUALLYQUITEBLAND7ITHAWEBSITEOFYOUROWNITCANBECUSTOMIZEDTOYOUR HEARTS ANDPERHAPS YOURBANKACCOUNTS CONTENT )T CANBE LAIDOUT EXACTLY HOWYOUWANTVISUALLY ITCAN INCORPORATEAS LITTLEORASMUCHINFORMATIONAS YOUWANTANDITCANINCLUDEASMANYFEATURESASYOUWANT

&OR EXAMPLE IF YOUWEREA$*ANDA REMIXERYOUCOULDHAVEAPAGEONYOUR WEBSITE THAT LOOKS LIKEAWORLDMAPWITHhPINSv IN THEMAP TO REPRESENT THE GIGSYOUHAVECOMINGUP%ACHhPINvWOULDHAVE INFORMATIONATTACHED TO IT WHICH BECAME VISIBLE WHEN THE USER HOVERED THE MOUSE OVER THE PIN 9OU COULDEVENMAKETHEMhCLICKABLEvSOTHATIFTHEUSERCLICKEDONTHEMITWOULD OPENUPANEWBROWSERWINDOWANDLOADTHEVENUESWEBSITE4RYDOINGTHAT ONASOCIALNETWORKINGSITE

!NOTHEROPTIONWOULDBE TOHAVEASECUREPASSWORDPROTECTED AREAOFYOUR WEBSITEWHEREYOUCOULDPERMANENTLYSTORE-0VERSIONSOFALLTHETRACKSAND REMIXESYOUHAVEDONE4HISISSOMETHING)ACTUALLYDOMYSELFSOTHATSHOULD ANYBODY ARTIST OR RECORD LABEL ASKME IF ) HAVE SAMPLES THEY CAN LISTEN TO )HAVE INSTANT ACCESS TO EVERYTHINGAND CANPICKOUTWHAT ) FEEL ISMOST RELE VANT TO THEMWITHOUTHAVING TOUPLOAD THElLES ) SIMPLYGO THROUGHMY LIST OFDIRECTLINKSTOEACHOFTHElLESANDPASTETHEMALLINTOANEMAILWITHLOGIN USERNAMEANDPASSWORD INFORMATIONANDTHEYAREREADYTOGO4HEBEAUTYOF DOINGTHINGSTHISWAYISTHATWITHABITOFPREPARATIONITISPOSSIBLETOACCESS FROM PRETTYMUCH ANYWHERE IN THEWORLD )F YOU HAVE A LAPTOP OR AMOBILE PHONE THAT HAS EMAIL FACILITIES YOU CAN EASILY EMAIL YOURSELF AN UP TO DATE LISTOFALLTHELINKSSOTHATEVENIFYOUWEREONATRAINSOMEWHEREIFSOMEONE REQUESTEDAPARTICULARTRACKYOUCOULDSIMPLYCUTANDPASTETHERELEVANTLINKS FROMYOURLISTDOCUMENTANDEMAILTHEM

)TMIGHTSEEMALITTLEUNNECESSARYTOBEWORRIEDABOUTRESPONDINGTHATQUICKLYTO APOSSIBLEWORKINQUIRYBUTIFTHATEVEROCCURSTOYOUJUSTREMEMBERTHATTHERE AREPROBABLYATLEASTMAYBEMAYBEOTHERPEOPLEOUTTHERElSHINGFOR EXACTLY THESAMEJOBYOUAREBEINGCONSIDEREDFOR4IMEISOF THEESSENCE0LUS

ITWILLGIVEYOUANAIROFPROFESSIONALISM"EINGPREPAREDBEINGORGANIZEDHAV INGEVERYTHINGYOUNEEDTOHANDIMMEDIATELYwillWHILENOTSTRICTLYRELEVANTTO BEINGAREMIXERSHOWTHATTHEREISAGOODCHANCEYOUWILLBERELIABLEANDWILL GETTHINGSDONEONTIMEANDNOTGIVETHECLIENTANYCAUSEFORGRIEFANDSTRESSFUR THERDOWNTHELINE

3O THERE ARE JUST A FEW THINGS YOU COULD INCORPORATE INTO AN hARTISTvWEBSITE THATWOULDBEDIFlCULTPERHAPSEVENIMPOSSIBLE TOINTEGRATEDIRECTLYINTOONE OF YOUR SOCIALNETWORKINGPAGES ) AMSURE THEREAREMANYOTHERS RELEVANT TO YOUR SITUATION ANDWITHWEB TECHNOLOGYDEVELOPINGAT AHEAD SPINNING RATE THEREARESURETOBEPLENTYMOREDEVELOPMENTSOVERTHECOMINGYEARSTHATWILL HAVETHEPOSSIBILITYOFBEINGUSEFULTOTHEREMIXER

)F YOU ARE ONE OF THE UNFORTUNATEMAJORITY OF PEOPLE WHO HAVE TO WORK ON ALLOFTHISSTUFFYOURSELFANDYOUSTRUGGLETOUPDATEALLOFTHEVARIOUSDIFFERENT SITES AND IF YOU ASKEDMEWHICH YOU SHOULD CONCENTRATE ON )WOULD PROB ABLYADVISEYOUTOPRIORITIZETHESOCIALNETWORKINGSITESSIMPLYBECAUSEOFTHE ACCESSITGIVESYOUTOBOTHYOURFANSAMONGTHEGENERALPUBLICANDTHE$*SART ISTSANDRECORDLABELPEOPLEWHOWILLULTIMATELYHELPTOMAKEORBREAKYOUR CAREER ) STILLDOBELIEVE THAT ANARTISTWEBSITE GIVESOTHERPEOPLE THE SENSEOF SOMETHINGMOREPROFESSIONALABOUTYOU

3PEAKINGOFONLINE FORUMS THOSEAREDElNITELY SOMETHINGYOUSHOULD SPEND A LITTLEBITOF TIME FOCUSINGONASWELL4HEREAREAGROWINGNUMBEROF THEM APPEARINGONLINEWITHSOMEBEINGMOREGENERALDANCEMUSICBASEDANDOTHERS BEINGMUCHMOREGENRESUBGENRE BASEDBUTWHATTHEYALLHAVEINCOMMONIS BEINGASOURCEOFINVALUABLEINFORMATIONABOUTTHEGENREITSELFANDABOUTWHO WITHINTHATSCENEISGETTINGTHEBESTFEEDBACKANDWHY&ORUMSLIKETHESEAREA REMARKABLERESEARCHTOOLIFYOUARELOOKINGTOlNDOUTWHATISGOINGONINANY GIVENBRANCHOFDANCEMUSIC

4HEY CAN ALSO BE USED AS AMEANS OF PROMOTING YOURSELF-OST OF THEM ARE FAIRLYEASYTOSIGNUPTOANDYOUWOULDBEWELL ADVISEDTOSIGNUPTOAFEWAT LEASTAND THENYOUWILLBEABLE TOPOSTANYNEWSYOUHAVEUPON THE FORUM WHEREYOUKNOWTHEREISAveryGOODCHANCETHATTHEPEOPLEREADINGWILL LIKE THEMUSICYOUMAKEANDTHESTYLEOFREMIXESYOUAREWORKINGON

&ROMPASTEXPERIENCE)VELEARNEDTHATITPAYSTOBEENTHUSIASTICINYOURPOSTS ONTHESEKINDSOFFORUMSBUTNOTTOGOtooFARWITHTHINGSWHEREYOURISKCOM INGOFF AS ARROGANT h1UIETLY CONlDENTv IS A GOODWAY TO EXPLAIN IT!NOTHER CONSIDERATION IS YOUR CHOICE OF USERNAME #HOOSE A USERNAME THAT IS OR AT LEASTCLOSELYRESEMBLES YOURhPROFESSIONALNAMEvSOTHEPEOPLEONTHEFORUM KNOWWHOYOUARE)ONCESIGNEDUPTOAFORUMASh3OUL3EEKERZvANDGOTALOT OFPOSITIVEMESSAGESFROMPEOPLESAYINGHOWNICEITWASOFTHEACTUALARTISTTO JOINTHEFORUMANDTAKETIMETOTALKTOTHEhFANSvDIRECTLY

/NCE AGAIN AND IN SUMMARY THE VARIOUS SOCIAL NETWORKING AND RELATED SITESTHATEXISTALONGWITHMUSICFORUMSAREVERYUSEFULTOOLSFORMAKINGSURE PEOPLEKNOWWHATYOUAREDOINGANDAMONGINDUSTRYPEOPLE RAISE THE LEVEL

OFAWARENESSOFWHOYOUAREANDWHATYOUDOTOTHEPOINTWHEREYOUARE IN PEOPLESMINDSWITHOUTNECESSARILYHAVINGHADAHUGEHITRECORD

THE PERSONAL TOUCH !LLOFTHETHINGSMENTIONEDSOFARINTHISCHAPTERHAVEONETHINGINCOMMON THEY ARE ALL ONLINE ACTIVITIES!ND THE REASON ) HAVE SPENT SO LONGDESCRIBING THEMISTHATTHEYAREVITALLYIMPORTANTINTHEMARKETPLACETODAY3OMUCHBUSI NESS IS CONDUCTEDONLINE THAT TONEGLECT IT AS AMEANSOFPROMOTINGYOURSELF WOULDBEANUNFORGIVABLEMISTAKE(AVINGSAIDTHATTHEREISSTILLREALLYNOSUB STITUTEFORactualFACE TO FACECONTACT)TMIGHTNOTBEEASYDEPENDINGONYOUR LOCATION TO GET OUT TO CLUBSWHERE THERE ARE hBIG NAMEv$*S PLAYING AND IT MAYBEEVENMOREDIFlCULT TOACTUALLYGET TO THEOFlCESOF THEVARIOUSRECORD LABELSEVENASSUMINGTHATYOUCOULDMANAGETOGETANAPPOINTMENTTOSEETHE RELEVANTPEOPLE "UT IF IT is POSSIBLE ) THOROUGHLY RECOMMEND TAKINGWHAT EVER OPPORTUNITIES YOU CAN lND TO HAVE FACE TO FACE MEETINGS WITH PEOPLE BECAUSE ASMUCH AS THEY RECOGNIZE YOUR NAME YOUR EMAIL ADDRESS OR EVEN YOUR&ACEBOOKPAGEPEOPLEAREFARMORELIKELYTOREMEMBERYOUIFTHEYHAVE METYOUINPERSONANDHAVEGOTTENONWELLWITHYOU

4HISWILLOBVIOUSLYBEMUCHEASIERTODOIFYOUAREA$*WHOISACTIVELYOUTAND REGULARLYPLAYING BECAUSE YOUWILL PROBABLYMEETQUITE A FEWPEOPLE THROUGH THE NATURAL COURSE OF YOUR$*INGWORKWITHOUT REALLY HAVING TO TRY THAT HARD "UTEVENIFYOURENOTA$*THEREARESTILLWAYSOFGETTINGTOMEETTHESEPEOPLE &OR EXAMPLE IF THEREWAS APARTICULAR$* YOU LIKEDWHOWASDOINGQUITEWELL ANDWHOYOU THOUGHTMIGHTBE INTERESTED INPLAYING THEKINDOFMUSICYOURE MAKINGTHElRSTTHINGYOUCOULDDOWOULDBETOTRYTOlNDHERON-Y3PACEOR &ACEBOOKANDSENDHERAMESSAGESAYINGTHATYOUREALLYLIKEHERWORKANDTHAT YOUAREAPRODUCERREMIXERASAPPROPRIATE ANDYOUWOULDLIKETOHAVEHERON YOUR FRIENDS LIST!SSUMING THAT SHE ACCEPTED YOU COULD THEN SENDHER ABRIEF NOTEOFTHANKSBEFOREWAITINGALITTLEWHILEPERHAPSAWEEKORTWO

!TTHATPOINTYOUCOULDSENDHERANOTHERMESSAGEASKINGIFSHEWOULDBEOKAY WITHYOUSENDINGHERPROMOSOFANYTRACKSYOUWORKONANDANEMAILADDRESS TO SEND THEPROMOS TO!GAIN IF SHE ISHAPPY TODO THIS THENEXT STEPWOULD BETOKEEPCHECKINGBACKONHERPAGESORARTISTWEBSITEFORANYINFORMATIONON GIGDATES)FYOUSAWONENEARYOUYOUCOULDGETINCONTACT)WOULDTRYSEND INGAMESSAGETHROUGHTHESOCIALNETWORKINGPAGEWHEREYOUlRSTGOTINTOUCH WITHHERTHISROUTEISPROBABLYPREFERABLESINCEYOUDONTWANTTOANNOYHERBY BOMBARDINGHER ACTUAL EMAIL INBOXWITH LOADSOFMESSAGESˆITS ABOUTBEING ABLE TOBE A FANWHILE STILL RESPECTINGBOUNDARIES ANDPERSONAL SPACE ,ETHER KNOWTHATYOUARELOOKINGFORWARDTOCOMINGTOTHEGIGANDSEEINGHERPLAY)F THEGIGISALONGWAYINTHEFUTUREAWELL TIMEDNEWSLETTERSHORTLYBEFORETHEGIG COULDHELPTOBRINGYOUBACKTOTHEFRONTOFHERhRECORDBOXvSOTOSPEAK

7HEN YOU GO TO THE GIG TRY TO GET A CHANCE TO SPEAK TO HERWHILE SHES ARE THERE7HETHERYOUDOGETACHANCETOACTUALLYSPEAKTOHERDEPENDSONMANY

FACTORSNOTLEASTOFWHICHISTHECLUBITSELF3OMECLUBSAREveryUNHAPPYABOUT ANYOFTHEhPUNTERSvANDTOTHECLUBTHATISexactlyWHOAREYOUJUSTANOTHER hPUNTERv GETTING TOSPEAK TO THE$*WHEREASOTHERSAREMOREOPENABOUT IT %VEN IF THE CLUB IS HAPPY TO LET PEOPLE TALK TO THE$* YOUMIGHTNOT GET AN OPPORTUNITY BECAUSE THE CHANCES ARE THAT SHE WILL ALREADY HAVE HER ENTOU RAGEINTHE$*BOXBUTLIKESOMANYTHINGSINTHISBUSINESSIFYOUdon’tCHASE ANY CHANCES THEN THEOPPORTUNITIESWILLNOT CHASE YOU!ND IF YOUDONT GET A CHANCE TO TALK TO THIS PARTICULAR $* ON THE NIGHT ITSELF YOU STILL HAVE THAT COMMUNICATIONS CHANNEL OPEN WITH HER THROUGH HER -Y3PACE OR &ACEBOOK ACCOUNT!QUICKMESSAGEADAYOR TWOAFTER THESHOWSAYINGHOWMUCHYOU ENJOYEDTHEATMOSPHEREINGENERALANDTHESHOWITSELFWOULDALMOSTCERTAINLY BEMETENTHUSIASTICALLYANDMIGHTLEADTOTHESTARTOFAMOREREGULARANDMORE ONGOINGDIALOGWITHTHISPERSON

SUMMARY )N THIS CHAPTERWEHAVE LOOKEDAT JUSTA FEWOF THE STRATEGIESYOUCANUSE FOR SELF PROMOTIONWHENYOUARESTARTINGOUTORINTHATEARLYPHASEOFYOURCAREER /FCOURSETHEREAREMANYMORE7HATWEARETRYINGTOACHIEVEHEREISESSEN TIALLYMARKETING!NDTHAT ISASKILLSETALL ITSOWN3URESOMEOF THOSESKILLS HAVEBEENDILUTEDTHESEDAYSBUTIFYOUFEELYOUCOULDUSEALITTLEHELPINTHIS RESPECT THEREARESOMEEXCELLENTBOOKSON THEMARKET THATDEALWITHMARKET ING SALES AND PROMOTION IN GENERAL AND SOME THAT ARE MORE OPTIMIZED TOWARDONLINEMARKETINGAND3%/3EARCH%NGINE/PTIMIZATION TECHNIQUES THAT CAN HELP PUT YOURWEBSITES CLOSER TO THE TOP OF SEARCH ENGINE LISTINGSˆ NEVERBEABADTHING

-YlNALWORDONSELF PROMOTIONIS TONOTBEAFRAID TOSEEHOWOTHERPEOPLE DOIT4HINKOFAREMIXERWHOISINAPOSITIONYOUWOULDLIKETOBEIN)TWOULD BEIDEALIFTHATPERSONWASINAGENRETHATWASEITHERTHESAMEORATLEASTQUITE SIMILARTOTHEGENRES YOUWORKINBECAUSEMARKETINGTECHNIQUESCANVARYFOR DIFFERENTMARKETSECTORS3EEIFYOUCANGETSOMEINSPIRATIONFROMTHEWAYOTHER REMIXERSHANDLETHEIRPROMOTION

)NTHENEXTCHAPTERWELOOKATTHEPROSANDCONSOFHAVINGAMANAGERAGENTOR PROMOTEROFYOUROWN