ABSTRACT
With Adobe SpeedGrade still in the wings (as of the writing of this book) and Apple Color’s discontinuation, the most universally available color correction application is probably DaVinci Resolve. In order to get through the most material, I’ll be doing all of the tutorials in this chapter using DaVinci Resolve 8.1. But regardless of whatever color correction system you have access to, or prefer to use most frequently, you should be able to follow along and translate the methods from this chapter to your own favorite system.
