chapter  7
Budgets and Schedules
Pages 28

Chris: Actually, I got tired of drawing 2D animation very quickly. I got into puppet animation and into stop motion. I got more and more into elaborate armatures, and characters, and rigs, and sets and I just loved lighting those little sets, so that you couldn’t tell how big things were and I loved walking into my studio and walking around and turning all the lights on and not looking at the set until my eye was on the eyepiece of the camera, at the shot that I had set up, and just looking at it there and nowhere else.