ABSTRACT

How do you experience a photograph? What do you want a viewer to feel when they look at your image?

Perception and Imaging explains how we see and what we don't see. Relevant psychological principles will help you predict your viewer's emotional reaction to your photographic images, giving you more power, control, and tools for communicating your desired message. Knowing how our minds work helps photographers, graphic designers, videographers, animators, and visual communicators both create and critique sophisticated works of visual art. Benefit from this insight in your work.

Topics covered in this book: gestalt grouping, memory and association, space, time, color, contours, illusion and ambiguity, morphics, personality, subliminals, critiquing photographs, and rhetoric.

chapter 1|24 pages

Selection

chapter 2|44 pages

Gestalt Grouping

chapter 3|40 pages

Memory and Association

chapter 4|52 pages

Space, Time, and Color

chapter 5|18 pages

Contours

chapter 6|20 pages

Illusion and Ambiguity

chapter 7|16 pages

The Morphics

chapter 8|38 pages

Personality

chapter 9|22 pages

Subliminals

chapter 10|26 pages

Critiquing Photographs

chapter 11|36 pages

Rhetoric

chapter 12|14 pages

Black and White Photography by Thom Halls

chapter |18 pages

Appendix A: Additional Concepts

part |1 pages

Appendix B: Answers to Selected Exercises

chapter 1|1 pages

Selection

chapter 9|2 pages

Subliminals