ABSTRACT

Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings.

Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists’ materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shipping, and exhibition. Including exciting developments that have taken place since the last edition was published, the book also covers new techniques of examination, especially MacroXRF scanning and Reflectance Transmission Imagery. Drawing on research presented at recent professional conferences, information about innovative methods for cleaning modern and contemporary paintings and insights into modern oil paints is also included.

Incorporating the latest regulations and understanding of health and safety practices and integrating theory with practice throughout, Conservation of Easel Paintings, Second Edition will continue to be an indispensable reference for practicing conservators. It will also be an essential resource for students taking conservation courses around the world.

part I|383 pages

Technical art history, examination, documentation, and scientific analysis

chapter 1|28 pages

Art technological source research

Documentary sources on European painting to the twentieth century, with Appendices I–VII

section |232 pages

A history of Western easel painting materials from the early Renaissance to 2020

chapter 7|29 pages

Grounds, 1400–1900

Maartje Stols-WitloxIncluding: Grounds in the twentieth century and beyond

chapter 8|24 pages

Pigments in Western easel painting

Nicholas Eastaugh, Jilleen Nadolny, and Sarah Lowengard Including: Binding media

section |105 pages

Techniques of examination and documentation used by the conservator and conservation scientist

chapter 18|13 pages

Optical microscopy

part II|292 pages

Methods and approaches for the treatment and care of easel paintings

section |85 pages

The cleaning of easel paintings

part III|115 pages

Preventive conservation, health and safety, outreach, and professional organisations

chapter 39|6 pages

Storage of easel paintings