ABSTRACT

HONK! A Street Band Renaissance of Music and Activism explores a fast-growing and transnational movement of street bands—particularly brass and percussion ensembles—and examines how this exciting phenomenon mobilizes communities to reimagine public spaces, protest injustice, and assert their activism. Through the joy of participatory music making, HONK! bands foster active musical engagement in street protests while encouraging grassroots organization, representing a manifestation of cultural activity that exists at the intersections of community, activism, and music. This collection of twenty essays considers the parallels between the diversity of these movements and the diversity of the musical repertoire these bands play and share.

In five parts, musicians, activists, and scholars voiced in various local contexts cover a range of themes and topics:

  • History and Scope
  • Repertoire, Pedagogy, and Performance
  • Inclusion and Organization
  • Festival Organization and Politics
  • On the Front Lines of Protest

The HONK! Festival of Activist Street Bands began in Somerville, Massachusetts in 2006 as an independent, non-commercial, street festival. It has since spread to four continents. HONK! A Street Band Renaissance of Music and Activism explores the phenomenon that inspires street bands and musicians to change the world and provide musical, social, and political alternatives in contemporary times.

Visit the companion webiste: https://www.honkrenaissance.net/

chapter |12 pages

Introduction

part I|2 pages

History and Scope

chapter 3|12 pages

Jericho’s Harvest

A Short History of Brass Bands as a Voice for Political Opposition in Europe

chapter 5|9 pages

Japanese Perspective on HONK! Fest West

A Conversation with Ōkuma Wataru of Jinta-la-Mvta

part II|2 pages

Repertoire, Pedagogy, and Performance

chapter 8|14 pages

From Page to Performance

Learning a Song in an Italian Multi-Level Activist Brass Band

part III|2 pages

Inclusion and Organization

chapter 10|14 pages

Building Connections While Maintaining the Band

The Challenging Politics of Inclusion in Activist Work

chapter 11|12 pages

Horns and Hers

The Subversion of Gendered Instrumentation in the HONK! Movement

part IV|2 pages

Festival Organization and Politics

chapter 14|14 pages

Why Do We Honk? How Do We Honk?

Politics, Antipolitics, and Activist Street Bands

chapter 16|11 pages

The Key of Rest

HONK!’s Hospitality Activism

part V|2 pages

On the Front Lines of Protest

chapter 17224|13 pages

Infernal Noise

Sowing a Propaganda of Sound

chapter 18|12 pages

Listening for Lefebvre

Chant Support, Sonic Disobedience, and the City as “Oeuvre”

chapter 19|12 pages

Syncopation Against the Occupation

Handling High-Risk Situations as an Activist Street Band in Israel-Palestine