ABSTRACT

The Shape of Fantasy is an in-depth look at Heroic Epic Fantasy. It depicts structural and narrative patterns with models stemming from science and philosophy. Although Fantasy Fiction is generally defined by its impossibility, Fantasy Fiction not an illogical form. It is, in fact, governed by a sense of rules and structure, one that reflects our current understanding of space-time and cosmology. These models are an integral part of the structure of Heroic Epic Fantasy itself. Thus, this book introduces new ways of perceiving current productions of the Fantasy genre. In doing so, it also explores how Fantasy Fiction exhibits a conscious awareness of its own form.

chapter 1|16 pages

The Shape of a Hero’s Soul

Interrogating the Destiny of the Hero in Lois McMaster Bujold’s The Curse of Chalion (2001)

chapter 2|12 pages

Forks in the Road

Assessing the Paradoxical Nature of Fixed and Fluid Time in Mercedes Lackey’s The Fairy Godmother (2004)

chapter 3|20 pages

Building Layers of Character

Analysing the Construction of the Hero in Robert Jordan’s The Great Hunt (1990)

chapter 4|17 pages

The Ou-Hero

Considering the Possibility for the Hero to Become Villain (and Vice Versa) in David Farland’s The Wyrmling Horde (2008)

chapter 5|16 pages

The Messianic Hero

Exploring the Hero’s Willing Confrontation with Death in Gail Z. Martin’s The Summoner (2007)

chapter 6|18 pages

Breaking into Fantasyland

Investigating How Fracturing and Entropy Motivates the Plot in Terry Goodkind’s Stone of Tears (1995)

chapter 7|18 pages

The Hero as Portal

Examining the Hero’s Role as Reversal of Entropy in James Clemens’ Shadowfall (2006)

chapter 8|22 pages

Perfect Epic Empires

Appraising Cycles of Utopia and Anti-Utopia in Brandon Sanderson’s Hero of Ages (2008)

chapter 9|16 pages

Chaotic Cycles

Evaluating Patterns Within and Between Sequel Series in David and Leigh Eddings’ The Seeress of Kell (1991)