ABSTRACT

In How and Why We Teach Shakespeare, 19 distinguished college teachers and directors draw from their personal experiences and share their methods and the reasons why they teach Shakespeare. The collection is divided into four sections: studying the text as a script for performance; exploring Shakespeare by performing; implementing specific techniques for getting into the plays; and working in different classrooms and settings.

The contributors offer a rich variety of topics, including:

  • working with cues in Shakespeare, such as line and mid-line endings that lead to questions of interpretation
  • seeing Shakespeare’s stage directions and the Elizabethan playhouse itself as contributing to a play’s meaning
  • using the "gamified" learning model or cue-cards to get into the text
  • thinking of the classroom as a rehearsal
  • playing the Friar to a student’s Juliet in a production of Romeo and Juliet
  • teaching Shakespeare to inner-city students or in a country torn by political and social upheavals.

For fellow instructors of Shakespeare, the contributors address their own philosophies of teaching, the relation between scholarship and performance, and—perhaps most of all—why in this age the study of Shakespeare is so important.

Chapter 10 of this book is freely available as a downloadable Open Access PDF at https://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. 

chapter |16 pages

Introduction

How and Why

part Section One|45 pages

Encountering Shakespeare’s Verbal and Visual Text with Students

chapter 3|12 pages

Re-entering Macbeth

“Witches Vanish” and Other Stage Directions

part Section Two|53 pages

Learning through Performance

part Section Three|39 pages

Approaching Shakespeare from Some Specific Angles

chapter 10|9 pages

Shakespeeding into Macbeth and The Tempest

Teaching with the Shakespeare Reloaded Website

chapter 11|10 pages

“And So Everyone According to His Cue”

Practice-led Teaching and Cue-scripts in the Classroom

chapter 12|8 pages

Collaborating with Shakespeare

chapter 13|10 pages

Shakespeare Without Print

part Section Four|52 pages

Shakespeare in Various Classrooms

chapter 14|12 pages

“That Depends: What Do You Want Two Plus Two to Be?”

Teaching Possibility

chapter 15|9 pages

“Who’s There?” “Nay, Answer Me. Stand and Unfold Yourself”

Attending to Students in Diversified Settings

chapter 16|12 pages

Unpicking the Turkish Tapestry

Teaching Shakespeare in Anatolia

chapter |7 pages

Afterword

“Cur Non?”