ABSTRACT

Trevor Ponech has written a serious and pathbreaking study of how to define non-fiction cinema. Working from the position that no cinematic representation is wholly factual, Ponech argues that what determines whether a film is fiction or non-fiction is the filmmakers intention. Persuasively defending this unique position, the author provides a philosophically rigorous analysis of the communicative practices of filmmakers. In What Is Non-Fiction Cinema? Trevor Ponech has written a serious and pathbreaking study of how to define non-fiction cinema. Working from the position that no cinematic representation is wholly factual, Ponech argues that what determines whether a film is fiction or non-fiction is the filmmakers intention. Persuasively defending this unique position, the author provides a philosophically rigorous analysis of the communicative practices of filmmakers. In making his case, Ponech cogently presents the other major theoretical positions regarding documentary cinema and shows why each is incomplete. The result is a cutting-edge philosophical inquiry into purposiveness in film.

chapter |7 pages

Introduction

chapter 1|32 pages

What Is Non-Fiction Cinema?

chapter 2|33 pages

Representation and Depiction

chapter 3|25 pages

What About Reality?

chapter 4|18 pages

Plans for Non-Fiction

chapter 5|27 pages

Planning for Content

chapter 6|32 pages

Planning for Force

chapter 7|38 pages

Perceptual Access to Cinematic Meaning

chapter 8|33 pages

Aspects of Interpretation

chapter 9|35 pages

The Truth of Non-Fiction