ABSTRACT

When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis.

This volume brings together seventeen essays, published between 1984 and 2013, on the interplay of texts and images in medieval art. Most focus on the manuscript art of early medieval Ireland and England. The first section includes four studies of the Codex Amiatinus, produced in Northumbria in the monastic community of Bede. The second section contains seven essays on the iconography and text of the Book of Kells. In the third section there are five studies of Anglo-Saxon Art, examined in the context of the Benedictine Reform. A concluding essay, on the medieval iconography of the two trees in Eden, traces the development of a motif from Late Antiquity to the end of the Middle Ages.(CS1080)

part |115 pages

The Codex Amiatinus

chapter 1|38 pages

The Library of Scripture

Views from Vivarium and Wearmouth-Jarrow

chapter 4|24 pages

‘All that Peter Stands for’

The Romanitas of the Codex Amiatinus reconsidered

part |97 pages

The Book of Kells

chapter 5|16 pages

The Book of Kells, Folio 114R

A mystery revealed yet concealed

chapter 7|45 pages

Exegesis and the Book of Kells

The Lucan genealogy*

part |155 pages

The Anglo-Saxon and later English traditions

chapter 12|26 pages

An Ananglo-Saxon Portable Altar

Inscription and iconography

chapter 13|33 pages

St John as a Figure of the Contemplative Life

Text and image in the art of the Anglo-Saxon Benedictine reform

chapter 16|34 pages

Signs of the Cross

Medieval religious images and the interpretation of Scripture