ABSTRACT

Before Literature examines storytelling that, whether due to historical, technological, or socio-economic circumstance, is neither shaped nor influenced by alphabetic literacy.

How does a story unfold when carried solely in memory, when it cannot be written down or externally stored? What structural and stylistic pressures are imposed when it must travel through space and time exclusively by word of mouth? In Before Literature, Sheila J. Nayar addresses these very questions, guiding the reader in a lively and accessible manner through the key features of storytelling that's been unaffected by writing. Even more, Nayar shows how the very norms that drove oral epics such as the Mahabharata and Homer’s Odyssey can continue to shape contemporary forms like Bollywood masala films, Hollywood spectaculars, and comic books.

This clear and accessible guide is an ideal starting point for undergraduates approaching the study of orality. It offers a fundamentally different way of thinking about oral narrative, while also disclosing some of the "hows" and "whys" of written literature, leading to a much broader understanding and appreciation of our storytelling tradition.

chapter 1|7 pages

Denaturalizing literacy

chapter 2|8 pages

The story behind Before Literature

chapter 3|7 pages

Existence without inscription

chapter 5|11 pages

Why prelit matters

chapter 6|4 pages

But there is always a but …

chapter 7|5 pages

A beginning with no definitive beginning

chapter 9|4 pages

Beginning in medias res

chapter 12|5 pages

Epic examples of episodic epics

chapter 13|6 pages

[[Boxes] within boxes] within boxes

chapter 14|6 pages

Flashbacks, masala style

chapter 15|5 pages

Lists, lists, and more lists

chapter 17|7 pages

Repeat, recycle—and repeat (and recycle)

chapter 18|6 pages

Whence the “traditional”?

chapter 19|6 pages

The acoustic landscape

chapter 20|5 pages

Ancestors and alienation

chapter 21|7 pages

Alienation and participation

chapter 23|6 pages

Blood and guts

chapter 24|4 pages

Violence + veneration = a polarized world

chapter 25|10 pages

When exteriority is not a bad thing

chapter 26|4 pages

But, what of art? What of aesthetics?

chapter 27|6 pages

Oral embodiment

chapter 28|6 pages

Superhuman vessels

chapter 29|6 pages

Is antipsychological necessarily unreal?

chapter 30|5 pages

Animating abstract knowledge

chapter 31|10 pages

The absence of irony, the pleasure of parody

chapter 32|5 pages

Is there an oral chronosense?

chapter 34|5 pages

Why the humanities matter—to all of us