ABSTRACT

The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria.

While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved.

chapter |10 pages

Introduction

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part Section One|5 pages

Music in Iberia and the Mashriq up to 711

chapter 1|7 pages

Music in Iberia to 711

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chapter 2|18 pages

Arab music to 711

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part Section Two|57 pages

Andalusi music to the fall of the Umayyad Caliphate, 711–1031

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part Section Three|4 pages

Music in the medieval Mediterranean

chapter 6|22 pages

Instrumentarium

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chapter 7|19 pages

Music theory and performance practices

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part Section Four|42 pages

The musical revolution in al-Andalus

chapter 8|30 pages

From ṣawt to muwashshaḥ

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chapter 9|10 pages

Hebrew muwashshaḥāt

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part Section Five|47 pages

Post-Umayyad Iberia (11th–17th c.)

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chapter 11|13 pages

The “Age of Minstrels” (13th–15th c.)

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chapter 12|7 pages

Music of the Moriscos (16th–17th c.)

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chapter |3 pages

Epilogue

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