ABSTRACT

Writing Compelling Dialogue for Film and TV is a practical guide that provides you, the screenwriter, with a clear set of exercises, tools, and methods to raise your ability to hear and discern conversation at a more complex level, in turn allowing you to create better, more nuanced, complex and compelling dialogue.

The process of understanding dialogue writing begins with increasing writers’ awareness of what they hear. This book provides writers with an assortment of dialogue and language tools, techniques, and exercises and teaches them how to perceive and understand the function, intent and thematic/psychological elements that dialogue can convey about character, tone, and story. Text, subtext, voice, conflict, exposition, rhythm and style are among the many aspects covered. This book reminds us of the sheer joy of great dialogue and will change and enhance the way writers hear, listen to, and write dialogue, and along the way aid the writers’ confidence in their own voice allowing them to become more proficient writers of dialogue.

Written by veteran screenwriter, playwright, and screenwriting professor Loren-Paul Caplin, Writing Compelling Dialogue is an invaluable writing tool for any aspiring screenwriter who wants to improve their ability to write dialogue for film and television, as well as students, professionals, and educators.

chapter |4 pages

Fade in: Introduction

part One|116 pages

On dialogue

chapter 1|29 pages

Understanding dialogue

chapter 2|24 pages

Illuminating character through dialogue

chapter 3|24 pages

Types of dialogue

chapter 4|24 pages

Voice-overs and narrations

chapter 5|13 pages

Platforms

part Two|52 pages

Tool kits for improving your dialogue

chapter 6|13 pages

Tool kit – Writing dialogue

chapter 7|10 pages

Tool kit – Specificity

chapter 8|16 pages

Tool kit – Writing singular characters

part Three|36 pages

Exercises for better hearing and voicing your characters

chapter 10|7 pages

Accessing character and application

chapter 11|9 pages

Better hearing

chapter 12|16 pages

Voice exercises

chapter |2 pages

Fade out: Conclusion