ABSTRACT

Theatre Institutions in Crisis

examines how theatre in Europe is beset by a crisis on an institutional level and the pressing need for robust research into the complex configuration of factors at work that are leading to significant shifts in the way theatre is understood, organised, delivered, and received.

Balme and Fisher bring together scholars from different disciplines and countries across Europe to examine what factors can be said to be most common to the institutional crisis of European theatre today. The methods employed are drawn from systems theory, social-scientific approaches, economics and statistics, theatre and performance, and other interpretative approaches (hermeneutics), and labour studies.

This book will be of great interest to researchers, students, and practitioners working in the fields of performance and theatre studies. It will be particularly relevant to researchers with a particular interest in European theatre and its networks.

Chapter 9 of this book is freely available as a downloadable Open Access PDF at https://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license. 

part 2|49 pages

Funding and labour

chapter 7|14 pages

Crisis in funding policies

The paradox of National Theatres and the dilemma of evaluating theatre in Italy

chapter 8|11 pages

The theatrical employment system in crisis?

How working conditions are changing in theatre and elsewhere

part 3|47 pages

Post-socialism

chapter 9|10 pages

Crisis?

Czech theatre after 1989 1

chapter 10|10 pages

Artistic freedom—state control—democracy

Oliver Frljić's theatre work in Croatia and Poland as an indicator of repressive cultural policy

part 4|43 pages

Independent theatre scene

chapter 13|13 pages

Promises and side effects

The Frankfurt theatre crisis of the 1990s—a case study

chapter 14|12 pages

Potential, need, risk

On control and subjectification in contemporary production networks

chapter 15|16 pages

Theatre crisis, local farce, or institutional change?

The controversy surrounding the Munich Kammerspiele 2018 from an institutional logics perspective