ABSTRACT

This study, originally published in 1990, assesses a shift in the presentation of self-consciousness in two pairs of novels by Doris Lessing and Carmen Martín Gaite: 1) Lessing’s The Summer Before the Dark (1973) and Martín Gaite’s Retahílas (1974) and 2) Lessing’s The Memoirs of a Survivor (1974) and Martín Gaite’s The Back Room (1978). Three major structural divisions facilitate examining implications of the novels for 1) feminism 2) literary narrative and 3) the lives of people-at-large.

chapter |6 pages

Introduction

part Section One|1 pages

Lives

chapter Chapter One|38 pages

The Tellers

part Section II|1 pages

Women and Authority

chapter Chapter Two|20 pages

Feministics

chapter Chapter Three|44 pages

The Depsychologicalization of Reality

chapter Chapter Four|55 pages

Authority Narrating Between She and I

part Section III|1 pages

Midlife

chapter Chapter Five|35 pages

Midlife in Literature

chapter Chapter Six|30 pages

Mind of One’s own

part Section IV|1 pages

Language and The Tales

chapter Chapter Seven|30 pages

The Ways of Language

chapter Chapter Eight|34 pages

Through A Wall Darkly

chapter Chapter Nine|35 pages

On the Edge

chapter |20 pages

Conclusion

chapter |5 pages

Epilogue