ABSTRACT

Through an international range of case studies from the 1870s to the present, this volume analyzes strategies of display in department stores and modern retail spaces. Established scholars and emerging researchers working within a range of disciplinary contexts and historiographical traditions shed light on what constitutes modern retail and the ways in which interior designers, architects, and artists have built or transformed their practice in response to the commercial context.

part I|91 pages

Displaying Modernity

chapter 1|14 pages

“A world of furniture”

The making of the late Victorian furniture shop

chapter 2|16 pages

Displaying dreams

Model interiors in British department stores, 1890–1914

chapter 3|16 pages

Home economies

The T. Eaton Company’s Thrift House, 1926–1950

chapter 4|14 pages

The art of window display

Cross-promotion at Bonwit Teller and MoMA

chapter 6|14 pages

Baroque lines in a modern world

The retail displays of Dorothy Draper

part II|75 pages

Technologies of Display

chapter 7|16 pages

“The Age of Show Windows” in the American department store

Techniques and technologies of attraction at the turn of the twentieth century

chapter 8|15 pages

Drawing power

Show window display design in the USA, 1900s–1930s

chapter 9|15 pages

Automatic show windows

Frederick Kiesler’s retail technology and American consumer culture

chapter 10|12 pages

Prop art

Harald Szeemann and the Warenhaus Gebrüder Loeb AG, Bern

chapter 11|15 pages

From retail stores to real-time stories

Displaying change in an age of digital manufacturing

part III|97 pages

Contested Identities/Contested Displays

chapter 12|17 pages

Exotics to erotics

Exploring new frontiers of desire within Parisian department store décors

chapter 13|15 pages

Dovetailed displays

Show windows, habitat dioramas, and bird hats

chapter 14|16 pages

Department stores and their display windows during the prewar Third Reich

Prevailing within a hostile Nazi consumer culture

chapter 15|16 pages

The cultured corporation

Art, architecture and the postwar office building

chapter 16|16 pages

“Knife/Fork/Spoon”

The Walker Art Center and the design and display of “Contour” sterling flatware service, 1949–1951

chapter 17|15 pages

Galerías Preciados (1943–1975)

A Spanish cathedral of consumption and its display strategies during the Franco years