ABSTRACT

Violence from Slavery to #BlackLivesMatter brings together perspectives on violence and its representation in African American history from slavery to the present moment. Contributors explore how violence, signifying both an instrument of the white majority’s power and a modality of black resistance, has been understood and articulated in primary materials that range from slave narrative through "lynching plays" and Richard Wright’s fiction to contemporary activist poetry, and from photography of African American suffering through Blaxploitation cinema and Spike Lee’s films to rap lyrics and performances. Diverse both in their period coverage and their choice of medium for discussion, the 11 essays are unified by a shared concern to unpack violence’s multiple meanings for black America. Underlying the collection, too, is not only the desire to memorialize past moments of black American suffering and resistance, but, in politically timely fashion, to explore their connections to our current conjuncture.

chapter |18 pages

Introduction

African American History, Violence and Problems of Representation

part I|2 pages

The Violences of Slavery

chapter 1|36 pages

“The Zest of Sport”

Representing Slave Hunting as Sport in the Antebellum and Jim Crow Eras

chapter 2|16 pages

“My Massa Whip Me, Cause I Love You”

Violence towards Slaves in Antebellum Southern Literature

chapter 3|17 pages

“Monstrous Perversions and Lying Inventions”

Moses Roper’s Performative Resistance to the Transatlantic Imagination of American Slavery

chapter 4|17 pages

“The Lynching Had to Be the Best It Could Be Done”

Slavery, Suffering and Spectacle in Recent American Cinema

part II|2 pages

From Civil War to Civil Rights

chapter 5|16 pages

Making Lynching Male

A Canon-Shaping Tendency

chapter 7|17 pages

A Necessary Undoing

The Implications of Violence in Richard Wright’s Native Son and The Outsider

part III|2 pages

From Blaxploitation to #BlackLivesMatter

chapter 8|17 pages

“The Baddest One-Chick Hit-Squad”

Pam Grier, Angela Davis and the Politics of Female Violence in Blaxploitation Cinema

chapter 9|17 pages

The Topos of Lyrical Gunplay

Hip-Hop and the Process of Civilization

chapter 10|18 pages

Towards a Black Prophetic Critique of Neoliberal State Violence

Spike Lee’s Do the Right Thing and the Death of Eric Garner

chapter 11|17 pages

Formal Violence

The Black Lives Matter Movement and Contemporary Elegy