ABSTRACT

This book offers a broad, comprehensive overview of the contemporary state of the Gardzienice theatrical company and its evolution.

Their most recent production, The Wedding, is taken as a focal point for a retrospective discussion on the company’s development. Premiered at the festival celebrating the 40th anniversary of the company, The Wedding echoes most of the major achievements of Staniewski’s stage language and his capacity of exploring and developing the performative potential of liveness. This study consists of essays by prominent practitioners and theoreticians of theatre, director’s notes, conversations with Staniewski and other company members, selected archival materials and substantial visual coverage.

It promises to be of great interest to students and scholars across the fields of theatre and performance studies.

part I|25 pages

Staniewski speaks

chapter 1|6 pages

Crazyfication

A conversation with Włodzimierz Staniewski: day one

chapter 2|14 pages

The fertile land

A conversation with Włodzimierz Staniewski: day two

chapter 3|3 pages

A robber's oath

A conversation with Włodzimierz Staniewski: day three

part II|4 pages

Staniewski speaks

part |28 pages

Director's notes

chapter 1|2 pages

Sorcery

chapter 4|2 pages

Carmina Burana

chapter 5|2 pages

Metamorphoses

chapter 6|2 pages

Elektra

chapter 7|1 pages

Iphigenia at A …

chapter 8|2 pages

Iphigenia in T …

chapter 9|2 pages

Pythian Oratorio

chapter 10|1 pages

Tagore 1

A chronicle, scenic sketches

chapter 11|7 pages

The Wedding

chapter 12|2 pages

Liberation

part III|74 pages

Gardzienice

chapter 3|8 pages

Song, musicality and the choir

A conversation with Marcin Mrowca

chapter 4|9 pages

Against the stereotypes of professional education

An interview with Tetiana Oreshko-Muca

chapter 5|10 pages

One step backwards to return

A conversation with Jan Żórawski

chapter 6|5 pages

Group collaboration

A conversation with Anna Maria Dąbrowska

chapter 9|2 pages

Perseverance

chapter 10|2 pages

Reciprocity

chapter 11|3 pages

Dynamics

part IV|152 pages

Gardzienice

chapter 1|9 pages

Pilgrimage, wandering, roving, expedition, road

Gardzienice, experience of place

chapter 4|17 pages

Carmina Burana

The musical structure of myths

chapter 5|34 pages

Carmina Burana

An attempt to record a performance

chapter 6|7 pages

“Only what is lost can be possessed for ever”

The transcendent theatre of Gardzienice 1

chapter 8|18 pages

The Wedding

Towards an alliance of audience and stage

chapter 9|16 pages

From, between and towards

Mysteries, Initiations, Kraków, 2000 1

part V|17 pages

From the archive

chapter |15 pages

Memory, archives and archivism

The Gardzienice Centre for Theatre Practices 1