ABSTRACT

The Routledge Companion to Literature and Emotion shows how the "affective turn" in the humanities applies to literary studies. Deftly combining the scientific elements with the literary, the book provides a theoretical and topical introduction to reading literature and emotion.

Looking at a variety of formats, including novels, drama, film, graphic fiction, and lyric poetry, the book also includes focus on specific authors such as Shakespeare, Chaucer, Jane Austen, Virginia Woolf, and Viet Thanh Nguyen. The volume introduces the theoretical groundwork, covering such categories as affect theory, affective neuroscience, cognitive science, evolution, and history of emotions. It examines the range of emotions that play a special role in literature, including happiness, fear, aesthetic delight, empathy, and sympathy, as well as aspects of literature (style, narrative voice, and others) that bear on emotional response. Finally, it explores ethical and political concerns that are often intertwined with emotional response, including racism, colonialism, disability, ecology, gender, sexuality, and trauma.

This is a crucial guide to the ways in which new, interdisciplinary understandings of emotion and affect—in fields from neuroscience to social theory—are changing the study of literature and of the ways those new understandings are impacted by work on literature also.

chapter |11 pages

Introduction. Literary Feelings

Understanding Emotions

part 1|108 pages

Theoretical Perspectives

chapter 1|11 pages

Affective Neuroscience

The Symbiosis of Scientific and Literary Knowledge

chapter 2|12 pages

Affect Theory

chapter 3|12 pages

Cognitive Linguistics

A Perspective on Emotion in Literature

chapter 4|11 pages

Cognitive Science

Literary Emotions From Appraisal to Embodiment

chapter 5|13 pages

Embodiment

Embodied Simulation and Emotional Engagement With Fictional Characters

chapter 7|13 pages

Evolution

How Evolved Emotions Work in Literary Meaning

part 2|46 pages

Emotions of Literature

chapter 10|11 pages

Aesthetic Emotions

chapter 11|10 pages

Paradoxes of Literary Emotion

Simulation and The Zhào Orphan

chapter 12|11 pages

Sympathy and Empathy

chapter 13|12 pages

Tragedy and Comedy

Emotional Tears and Trust in King Lear and Cymbeline

part 3|91 pages

Literature and Emotion in the World

chapter 14|11 pages

Colonialism and Postcolonialism

chapter 15|12 pages

Disability, “Enslavement,” and Slavery

Affective Historicism and Fletcher and Massinger's A Very Woman

chapter 16|11 pages

Ecology and Emotion

Feeling Narrative Environments

chapter 17|11 pages

Morals

The Ethical Gangster

chapter 18|11 pages

Gender, Emotion, Literature

“No Woman's Heart” in Shakespeare's Twelfth Night

chapter 19|11 pages

Race and Ethnicity

chapter 20|11 pages

Sexuality

chapter 21|11 pages

Trauma and its Future

Revisiting Aesthetic Debates About Trauma

part 4|81 pages

Elements of Literary Structure and Experience

chapter 22|11 pages

Authors

Cognitive Patterns and Individual Creativity

chapter 23|11 pages

Character and Emotion in Fiction

chapter 24|11 pages

Language, Style, and Texture

chapter 25|11 pages

Narrative and Plot

Unreliable Feelings and the Risks of Surprise

chapter 26|12 pages

Readers

chapter 27|11 pages

Social Reception

chapter 28|12 pages

Stories

Particular Causes and Universal Genres

part 5|65 pages

Modes of Literature

chapter 29|11 pages

Drama

Shakespearean Apostrophe and the History of Emotions

chapter 30|12 pages

Film

The Affective Specificity of Audiovisual Media

chapter 31|17 pages

Graphic Fiction

BIPOC Teen Comics

chapter 32|12 pages

Lyric

chapter 33|11 pages

Prose Fiction

part 6|71 pages

Literary Examples

chapter 34|12 pages

Geoffrey Chaucer

Reading with Feeling

chapter 35|12 pages

William Shakespeare

Anxieties About Trust in The Tempest

chapter 36|12 pages

Jane Austen and the Emotion of Love

chapter 38|11 pages

Helon Habila

Structural Helplessness and the Quest for Hope in Oil on Water

chapter 39|11 pages

Viet Thanh Nguyen

Navigating Anger and Empathy in The Sympathizer