ABSTRACT

The Routledge Companion to Literature and Feminism brings unique literary, critical, and historical perspectives to the relationship between women’s writing and women’s rights in British contexts from the late eighteenth century to the present.

Thematically organised around five central concepts—Rights, Networks, Bodies, Production, and Activism—the Companion tracks vital questions and debates, offering fresh perspectives on changing priorities and enduring continuities in relation to women’s ongoing struggle for liberty and equality. This groundbreaking collection brings into focus the historical and cultural conditions which have shaped the formation of British literary feminisms, including the legacies of slavery, colonialism, and Empire. From the political novel of the 1790s to early twentieth-century suffrage theatre and contemporary ecofeminism, and from the mid-Victorian antislavery movement to anti-fascist activism in the 1930s and working-class women’s writing groups in the 1980s, this book testifies to the diverse and dynamic character of the relationship between literature and feminism.

Featuring contributions from leading feminist scholars, the Companion offers new insights into the crucial role played by women’s literary production in the evolving history of women’s rights discourses, feminist activism, and movements for gender equality. It will appeal to students and scholars in the fields of women’s writing, British literature, cultural history, and gender and feminist studies.

chapter |25 pages

Introduction

Writing women's rights – from Enlightenment to ecofeminism

part I|84 pages

Rights

chapter 1|13 pages

Like nobody else

Women and independence in the novels of Charlotte Smith and Mary Wollstonecraft

chapter 2|13 pages

Romantic women travel writers, politics and the environment

An ecofeminist reading of the Swiss landscape

chapter 3|14 pages

Feminism and animal advocacy in the long nineteenth century

Anne Brontë and the ‘abuses of society’

chapter 4|13 pages

“They all revolved about her”

Disability, femininity, and power in mid-Victorian women's writing

chapter 5|14 pages

The “quest for harmony”?

Utopia, matriarchal communities, and feminist self-critique

chapter 6|15 pages

Jan Morris  and the  territory between

Interrogating nation and normality in contemporary Welsh trans writing

part II|69 pages

Networks

chapter 7|12 pages

“Men shall not make us foes”

Charlotte Brontë's letters and her female friendship networks

chapter 8|13 pages

Transatlantic  feminism  and antislavery activism

Women's networks, letter writing, and literature in the long nineteenth century

chapter 9|12 pages

Forgotten feminist fiction

Netta Syrett, New Woman writing, and women's suffrage

chapter 10|15 pages

“It was little more than a dining club”

Examining the epistolary networks of Willa Muir and Helen B. Cruickshank in the founding of Scottish PEN

chapter 11|15 pages

“What means a frontier?”

Nancy Cunard, feminist internationalism, and the Spanish Civil War

part III|94 pages

Bodies

chapter 12|18 pages

Reputation of [her] pen

Retrieving the black female body from the margins of the page and the stage

chapter 13|14 pages

“We wear the bandages, but our limbs have not grown to them”

Eugenic feminism and female economic dependence in Mona Caird, Olive Schreiner, and Charlotte Perkins Gilman

chapter 14|15 pages

Lesbian-trans-feminist modernism and sexual science

Irene Clyde and Urania

chapter 15|14 pages

“Beauty in Revolt”

Fashioning feminists in Rebecca West and Jean Rhys

chapter 16|19 pages

“The Rule of Three”

Textual triads, trialogues, and women's voices in Sylvia Plath, Jackie Kay, and debbie tucker green

chapter 17|12 pages

Feminism, eugenics, and genetics

From convergence to contestation

part IV|89 pages

Production

chapter 18|16 pages

“O Happiness, thou pleasing dream, / Where is thy substance found?”

Anne Steele's public and private eighteenth-century writings on happiness

chapter 19|13 pages

“Dearest Norah…”

The professional and personal relationships forged between an editor and her authors

chapter 20|16 pages

Feminist citation in Buchi Emecheta's early fiction and autobiography

Publishing race, class, and gender

chapter 21|14 pages

“Working with cloth”

Materialising women's creative labour in the work of Rosamond Lehmann, Beryl Bainbridge, and Joan Riley

chapter 22|16 pages

“To the sisters I always wanted”

Women, writers' groups, and print culture in Glasgow, 1980–1988

chapter 23|12 pages

Mother Country

Leonora Brito writes Wales – black British identity, maternity, and memory in the Welsh short story

part V|97 pages

Activism

chapter 24|13 pages

In a circle with Mary Hays

Writing novels to reform society in the 1790s

chapter 25|13 pages

In the advance guard of Victorian literary feminism

The actress as an independent woman and social reformer in Eliza Lynn Linton's Realities: A Tale (1851)

chapter 26|13 pages

“Rice puddings, made without milk”

Mother Seacole reforms “home habits” in the Crimea

chapter 27|13 pages

“Your Great Adventure is to report her faithfully”

The centring of women's voices and stories in suffrage theatre

chapter 28|13 pages

A life can be a manifesto

Connecting Bernadine Evaristo to a history of feminist manifestos

chapter 29|14 pages

Holding women's voices

Open Clasp as an example of feminist theatre practice

chapter 30|16 pages

Protecting the land, safeguarding the future

Ecofeminism, activist women's writing, and contemporary publishing in Wales