ABSTRACT

Writing Architecture in Modern Italy tells the history of an intellectual group connected to the small but influential Italian Einaudi publishing house between the 1930s and the 1950s. It concentrates on a diverse group of individuals, including Bruno Zevi, an architectural historian and politician; Giulio Carlo Argan, an art historian; Italo Calvino, a fiction writer; Giulio Einaudi, a publisher; and Elio Vittorini and Cesare Pavese, both writers and translators.

Linking architectural history and historiography within a broader history of ideas, this book proposes four different methods of writing history, defining historiographical genres, modes, and tones of writing that can be applied to history writing to analyze political and social moments in time. It identifies four writing genres: myths, chronicles, history, and fiction, which became accepted as forms of multiple postmodern historical stories after 1957.

An important contribution to the architectural debate, Writing Architecture in Modern Italy will appeal to those interested in the history of architecture, history of ideas, and architectural education.

chapter |12 pages

Introduction

chapter 1|28 pages

Americana

Origins, myths, and the prehistoric myth of a new world

chapter 2|26 pages

From building interiors to real estate

Italo Calvino’s urban fictive chronicles

chapter 3|28 pages

From chronicles to Storia

The transition and attempted integration of chronicles into history

chapter 4|22 pages

Officina Einaudi

The stories behind the history of a publishing house

chapter 5|20 pages

Storia ‘quasi una fantasia’

Giulio Carlo Argan and the fictive in historical writing

chapter |6 pages

Conclusion

Meta-history and the new historiographical Babel