ABSTRACT

Studies on gender and sexuality have proliferated in the last decades, covering a wide spectrum of disciplines. This collection of essays offers a metanarrative of sexuality as it has been recently embedded in the art historical discourse of the European Renaissance. It revisits ‘canonical’ forms of visual culture, such as painting, sculpture and a number of emblematic manuscripts. The contributors focus on one image—either actual or thematic—and examine it against its historiographic assumptions. Through the use of interdisciplinary approaches, the essays propose to unmask the ideology(ies) of representation of sexuality and suggest a richer image of the ever-shifting identities of gender. The collection focuses on the Italian Renaissance, but also includes case studies from Germany and France.

letter |8 pages

Introduction

part I|69 pages

The Politics of Desire

chapter 1|16 pages

Body Language in Dürer’s

Martyrdom of the Ten Thousand Christians

chapter 4|21 pages

Mirror Effects

The Narcissus Emblem in Scève’s Délie

part II|63 pages

Mechanisms for Actualizing Desire

chapter 5|15 pages

Who is to Blame? Representing Adultery in Early Modern Books

Alciato, Aneau, Brant, Ripa

chapter 6|15 pages

Cupid and the Bear

Emblems of Creation and Images of Seduction in Sixteenth-Century Art Writing and Love Imagery

chapter 8|18 pages

The Double Strike

A Psychoanalytic Reading of Donatello’s Judith and Holofernes

part III|74 pages

Beyond the ‘Pleasure Principle’ or the Polysemy of Desire

chapter 9|21 pages

Violence and Desire

Fetishist Impulses and Violence against the Female Body in the Hypnerotomachia Poliphili

chapter 11|27 pages

Pollution and Desire in Hans Baldung Grien

The Abject, Erotic Spell of the Witch and Dragon