ABSTRACT

Why do we endlessly tell the stories of our lives? And why do others pay attention when we do? The essays collected here address these questions, focusing on three different but interrelated dimensions of life writing. The first section, "Narrative," argues that narrative is not only a literary form but also a social and cultural practice, and finally a mode of cognition and an expression of our most basic physiology. The next section, "Life Writing: Historical Forms," makes the case for the historical value of the subjectivity recorded in ego-documents. The essays in the final section, "Autobiography Now," identify primary motives for engaging in self-narration in an age characterized by digital media and quantum cosmology.

part I|39 pages

Narrative

chapter 2|6 pages

Selfhood, Autobiography, and Interdisciplinary Inquiry

A Reply to George Butte

chapter 3|9 pages

Narrative Identity and Narrative Imperialism

A Response to Galen Strawson and James Phelan

chapter 4|10 pages

Travelling with Narrative

From Text to Body

part II|47 pages

Life Writing

chapter 5|13 pages

Writing Biography

A Perspective from Autobiography

chapter 6|11 pages

Eye and I

Negotiating Distance in Eyewitness Narrative

chapter 7|10 pages

Living in History

Autobiography, Memoir(s), and Mémoires

chapter 8|12 pages

History and Life Writing

The Value of Subjectivity

part III|43 pages

Autobiography Now

chapter 9|18 pages

Autobiography as Cosmogram

chapter 10|14 pages

Self and Self-Representation Online and Off

chapter 11|10 pages

Autobiography and the Big Picture

part IV|16 pages

Epilogue

chapter 12|8 pages

“My Father . . .”

chapter 13|7 pages

James Olney and the Study of Autobiography