ABSTRACT

The Routledge Companion to Performance and Medicine addresses the proliferation of practices that bridge performance and medicine in the contemporary moment.

The scope of this book's broad range of chapters includes medicine and illness as the subject of drama and plays; the performativity of illness and the medical encounter; the roles and choreographies of the clinic; the use of theatrical techniques, such as simulation and role-play, in medical training; and modes of performance engaged in public health campaigns, health education projects and health-related activism. The book encompasses some of these diverse practices and discourses that emerge at the interface between medicine and performance, with a particular emphasis on practices of performance.

This collection is a vital reference resource for scholars of contemporary performance; medical humanities; and the variety of interdisciplinary fields and debates around performance, medicine, health and their overlapping collaborations.

Chapter 18 of this book is freely available as a downloadable Open Access PDF at https://www.taylorfrancis.com under a Creative Commons Attribution CC-BY 4.0 license.

chapter |20 pages

Introduction

part 1|80 pages

Symptoms

chapter 1|10 pages

HIV/AIDS on stage in Singapore

Mass media and stigmatising discourses

chapter 3|12 pages

The uber-performing uterus of Henrietta Lacks and Eve Ensler

Ecologies of the womb in Mojisola Adebayo's Family Tree and Eve Ensler's In the Body of the World

chapter 4|7 pages

Places to (mis)carry

Scoring diffracted narratives of multiple miscarriage

chapter 5|8 pages

Dancing with imagined memories

Variant identities and new rehabilitative forms

chapter 6|6 pages

Overcoming stigma

Performing the workplace experiences of people living with epilepsy in France

chapter 7|12 pages

Naturalist hauntings

Staging psychiatry in Anatomy of a Suicide, People Places Things and Blue/Orange

part 2|104 pages

Diagnosis

chapter 9|11 pages

It's funny because it's true

Dr. Knock, Michel Foucault, and the birth of a satire

chapter 10|10 pages

Robert Icke's The Doctor

Exploring modern medicine through Arthur Schnitzler's Professor Bernhardi

chapter 11|11 pages

The excess and the erased

Dramaturgical notes on performing care in medical education

chapter 12|9 pages

Hidden dress codes

Wearing the role of physician

chapter 13|11 pages

Doctors as singers of tales

Medical performance in the Homeric tradition

chapter 15|7 pages

Matters of the heart

The orchestration of hands in cardiac surgery

chapter 16|8 pages

Becoming

chapter 17|12 pages

Building common fictions

Practising dramaturgy as mediation in three medical performances

chapter 18|12 pages

Performing gratitude

A case study of the clap-for-carers movement

part 3|110 pages

Care and Cure

chapter 19|10 pages

Performance, community and disability in Gujarat

Reflections in hindsight

chapter 20|14 pages

Quiet activism

A space to dare

chapter 21|7 pages

Rally Against Measles

Performances for community mobilisation in Lebanon

chapter 22|10 pages

Speaking to power: Speaking to people

Responsive practice in relation to maternity issues in western Kenya

chapter 23|11 pages

Making a drama out of a crisis

Using theatre to co-research mental health literacy in Kerala

chapter 24|11 pages

Narrative Rx

Storytelling's healing capacities in public health

chapter 25|9 pages

Drama in mental health care

The development and use of schizodrama in the Brazilian psychiatric support service

chapter 27|11 pages

Care aesthetics

The art, aesthetics and performance of health care

chapter 28|11 pages

An art of contingency

Producing biosocial theatre

part 4|74 pages

Side Effects

chapter 29|11 pages

At the needle point

Theatre and vaccine scepticism

chapter 30|5 pages

Constructing a fictional skin disease

Pandemic as a political allegory in The Itch

chapter 31|6 pages

Xenograftie (Artificial Sorrow)

chapter 32|5 pages

Hearing voices

The creation and staging of a play based on interviews with psychiatric patients

chapter 33|12 pages

Depth, intimacy, and dissection

Howard Barker's critique of medicine in He Stumbled

chapter 34|10 pages

Staging corpses

Reanimating medical history through puppetry

chapter 35|11 pages

Performing the pill

Contemporary feminist performance exploring the side effects of hormonal contraception

chapter 36|10 pages

The gift of life

Organ transplantation and surrogacy on the stage

part 5|92 pages

Experiments

chapter 39|11 pages

Discipline and askēsis

Training, spiritual philosophy and dance in Russell Maliphant's choreographic practice

chapter 40|11 pages

Tooth fairies for adults

Performing ritual

chapter 41|7 pages

Waiting Room

Material moments of medicine as performance

chapter 42|11 pages

‘Statecraft’ as ‘stagecraft’

Performing public health and the production of the socially distanced spectator

chapter 43|12 pages

Active ingredients

Notes on Clod Ensemble's Placebo

chapter 44|9 pages

To enter a place of pain

The work of Eugenie Lee