ABSTRACT

This volume brings together eleven case studies that address how the night became visible in the long and global eighteenth century through different mediums and in different geographical contexts.

Situated on the eve of the introduction of artificial lighting, the long eighteenth century has much to say about night’s darkness and brilliance. The eighteenth century has been bound up epistemologically with images of light, reason, and order. Night and day, light and darkness, reason and mystery, however, are not necessarily at odds in the eighteenth century. In their analysis of narratives, poetry, urban spaces, music, the visual arts, and geological phenomena, the essays provide various frameworks to examine the representation, treatment, and meaning of the enlightened night.

The transnational and multidisciplinary nature of the volume presents a survey of the research currently being done in the field of the long eighteenth-century night. This collection contributes to an ongoing exercise that questions the accepted definitions of the Enlightenment, and by bringing Eighteenth-Century Studies into dialogue with Night Studies, it enriches the critical conversation between these lines of research.

chapter 1|24 pages

Introduction

part I|81 pages

Nighttime Experiments

chapter 3|25 pages

Abysms on Open View

Terrestrial Expressions of Preternatural Darkness and Heavenly Night

chapter 4|16 pages

“One Thousand Divine Truths”

Night, Darkness and the Sublime in the Poetry of Juan Meléndez Valdés

chapter 5|17 pages

Shadowed Celebration

Goethe's Klassische Walpurgisnacht and Creative Profusion

part II|67 pages

Nocturnal Visions

chapter 7|19 pages

The Other Side of Night

Enlightened Dreaming in Gabrielle-Suzanne Barbot de Villeneuve's Beauty and the Beast (1740)

part III|77 pages

Nocturnal Sights and Sounds

chapter 9|22 pages

Early to Bed

Sleep, Artificial Light, and Entertainment in Eighteenth-Century Istanbul 1

chapter 11|16 pages

“Like a Night without Darkness”

Music and Nightscape in the Early Piano Nocturne (1810–1830)

chapter 12|18 pages

The Haunted Industrialized Nightscape

Factories, Mills, and Ironworks at Night