ABSTRACT

Depersonalization and Creative Writing: Unreal City explores the common psychological symptom of depersonalization, its influence on literature and the insights it can provide into the writing process.

Depersonalization is a distressing symptom in which sufferers feel detached from their own selves and the world. Often associated with psychological disorders, it can also affect healthy people at times of stress. Beginning with a first-hand account of the experience, the book goes on to argue that many well-known literary texts, including Camus’s The Outsider and Sartre’s Nausea, evoke a similar psychological state. It shows how a concept of depersonalized writing can be found in the work of literary theorists from widely different traditions, including T.S. Eliot, Roland Barthes and Viktor Shklovsky. Finally, it maintains that creative writers can make use of the lessons learned from a study of depersonalization to arrive at a deeper understanding of writing.

Given this knowledge, the controversial writing teacher’s maxim show, don’t tell, so often misapplied or misunderstood, can be repurposed as a practical instruction for taking students’ writing to a new level of sophistication and wisdom.

part I|25 pages

Autobiographical

chapter 1|23 pages

Land without Feelings

A Depersonalization Memoir

part II|72 pages

Psychological

chapter 2|19 pages

Like Looking in Fairyland

The History and Pathology of Depersonalization

chapter 3|28 pages

The Sound a Noise Makes When it Ceases

The Literature of Depersonalization

chapter 4|23 pages

Making the Stone Stony

Depersonalization in Literary Theory

part III|67 pages

Practical

chapter 5|21 pages

A Moonlit Interval

Showing and Telling in Fiction

chapter 6|23 pages

The Odour of a Rose

Showing and Telling in Poetry

chapter 7|21 pages

Crossing the Threshold

Quests, Epiphanies, Liminality