ABSTRACT

This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making, both in particular countries and across borders, that are shaping European stage practice.

With the geography, geopolitics, and cultural politics of Europe more unsettled than at any point in recent memory, this book’s combination of national and thematic coverage offers a balanced understanding of the continent’s theatre and performance cultures. Employing a range of methodologies and critical approaches across its three parts and ninety-four chapters, this book’s first part contains a comprehensive listing of European nations, the second part charts responses to thematic complexes that define current European performance, and the third section gathers a series of case studies that explore the contribution of some of Europe’s foremost theatre makers. Rather than rehearsing rote knowledge, this is a collection of carefully curated, interpretive accounts from an international roster of scholars and practitioners.

The Routledge Companion to Contemporary European Theatre and Performance gives undergraduate and graduate students as well as researchers and practitioners an indispensable reference resource that can be used broadly across curricula.

chapter |10 pages

Introduction

From euphoria to disillusionment – a European dramaturgy

part I|274 pages

Mapping the continent

chapter 1|5 pages

Albania

chapter 2|7 pages

Austria

chapter 3|6 pages

Belarus

chapter 4|8 pages

Belgium

chapter 5|5 pages

Bosnia and Herzegovina

chapter 6|7 pages

Bulgaria

chapter 7|5 pages

Croatia

chapter 8|5 pages

Cyprus (Greek)

chapter 9|5 pages

Czech Republic

chapter 10|7 pages

Denmark

chapter 11|6 pages

Estonia

chapter 12|6 pages

Finland

chapter 13|9 pages

France

chapter 14|8 pages

Germany

chapter 15|7 pages

Greece

chapter 16|7 pages

Hungary

chapter 17|6 pages

Iceland

chapter 18|8 pages

Ireland

chapter 19|6 pages

Israel

chapter 20|8 pages

Italy

chapter 21|5 pages

Kosovo

chapter 22|7 pages

Latvia

chapter 23|7 pages

Lithuania

chapter 24|5 pages

Malta

chapter 25|5 pages

Moldova

chapter 26|4 pages

Montenegro

chapter 27|6 pages

The Netherlands

chapter 28|5 pages

North Macedonia

chapter 29|8 pages

Norway

chapter 30|7 pages

Poland

chapter 31|6 pages

Portugal

chapter 32|7 pages

Romania

chapter 33|8 pages

Russia

chapter 34|5 pages

Serbia

chapter 35|5 pages

Slovakia

chapter 36|5 pages

Slovenia

chapter 37|8 pages

Spain

chapter 38|7 pages

Sweden

chapter 39|7 pages

Switzerland

chapter 40|6 pages

Türkiye

chapter 41|8 pages

Ukraine

part II|230 pages

Charting themes

part A|56 pages

Context

chapter 43|7 pages

1989 and after

East-West intercurrents at the turn of the millennium

chapter 45|7 pages

Transnational and translocal

chapter 49|7 pages

Brexit and theatre

chapter 50|7 pages

Performance in a pandemic

part B|72 pages

Cultures of theatre-making

chapter 51|8 pages

Performance spaces and spatial performativity

Theatre has left the building

chapter 52|8 pages

Sharing spaces

The art of scenography – some European perspectives

chapter 53|7 pages

Beyond binaries

Postdramatic theatre and its multimodal textuality

chapter 54|7 pages

Models of creation and devising

chapter 55|6 pages

Documentary theatre

chapter 57|7 pages

Contemporary music theatre practices

Changing performative roles

chapter 58|8 pages

Regietheater

chapter 60|7 pages

European physical theatre

part C|52 pages

Inclusive and diverse practices

chapter 63|7 pages

Minorities and representation

Performing the margins

chapter 64|7 pages

Womxn in performance

chapter 65|8 pages

Queer performance

chapter 66|7 pages

Disability in performance

chapter 67|7 pages

Amateur theatre in Europe

Organisation, challenges, and values

part III|140 pages

Surveying the creators

chapter 75|7 pages

Belarus Free Theatre

chapter 78|7 pages

Emma Dante

The contemporariness of things past

chapter 79|8 pages

Dreamthinkspeak

chapter 81|7 pages

Marta Górnicka

chapter 84|6 pages

Tomi Janežič

Time is a political dimension

chapter 85|8 pages

Angélica Liddell

chapter 86|8 pages

Philippe Quesne

Sustainable solutions for living on Earth. Performing alternative habitats and temporary communities on stage

chapter 87|7 pages

Milo Rau

chapter 88|5 pages

Tiago Rodrigues

Memory, melancholy, and learning stories by heart

chapter 89|8 pages

Kirill Serebrennikov

A poet of the outside between testimony and political provocation

chapter 90|8 pages

She She Pop

The collective as content

chapter 91|6 pages

Theater HORA

Acting autonomously – representation and agency in Disabled Theater

chapter 92|7 pages

The theatre of Rimas Tuminas

Play, romanticism, and the absurd

chapter 93|6 pages

Lotte van den Berg

Building Conversation

chapter 94|6 pages

Vegard Vinge and Ida Müller