ABSTRACT

Representing Abortion analyses how artists, writers, performers, and activists make abortion visible, audible, and palpable within contexts dominated by anti-abortion imagery centred on the fetus and the erasure of the pregnant person, challenging the polarisation of conversations about abortion.

This book illuminates the manifold ways that abortion is depicted and narrated by artists, performers, clinicians, writers, and activists. This representational work offers nuanced and complex understandings of abortion, personally and politically. Analyses of such representations are urgently needed as access to abortion is diminished and anti-abortion representations of the fetus continue to dominate the cultural horizon for thinking about abortion. Expanding the frame of reference for understanding abortion beyond the anti-abortion use of the fetal image, contributors to this collection push beyond narrow abstractions to examine representations of the experience and procedure of abortion within grounded histories, politics, and social contexts.

The collection is organized into sections around seeing (and not seeing) abortion; fetal materiality; abortion storytelling and memoir; and representations for new arguments. These themes cover a range of topics including abortion visibility, anti-abortion discourse, pro-choice engagements with the fetus, personal experience and media representations. The analyses of such representations counteract anti-abortion rhetoric, carving out space for new arguments for abortion that are more representative and inclusive and asking audiences to envision new ways to advocate for safe abortion access through reproductive justice frameworks.

This is an innovative and challenging collection that will be of key interest for scholars studying reproductive rights and reproductive justice, as well as women and gender studies. Representing Abortion is organized to structure upper year undergraduate and graduate courses on reproductive rights and reproductive justice in a new and engaging way.

part I|72 pages

Seeing (and not seeing) abortion

chapter 2|30 pages

Secrets

chapter 3|12 pages

It’s a boy! borted

Fetal bodies, graphic abortion, and the option to look

chapter 5|12 pages

Who’s late?

Degrassi, abortion, history

part II|70 pages

Fetal materiality

chapter 6|11 pages

Representing the cause

The strategic rebranding of the anti-abortion movement in Canada

chapter 7|15 pages

Visual realignment?

The shifting visual terrains of anti-abortion strategies in the Republic of Ireland

chapter 8|12 pages

Look like a provider

Representing the materiality of the fetus in abortion care work

chapter 9|11 pages

Dressing the Mizuko Jizō

Materialising the aborted fetus in Japan

chapter 10|15 pages

Rattling your rage

Humour, provocation, and the SisterSerpents

part III|46 pages

Abortion storytelling and memoir

chapter 11|5 pages

Abortion for beginners

chapter 12|11 pages

All politics are reproductive

Abortion and environment in Marianne Apostolides’ Deep Salt Water

chapter 13|13 pages

From compulsion to choice?

The changing representations of abortion in India

chapter 14|13 pages

Underground Women’s State

Polish struggles for abortion rights

part IV|41 pages

Representations for new arguments

chapter 15|14 pages

“What you do hurts all of us!”

When women confront women through pro-life rhetoric

chapter 16|12 pages

“This is how I was born on the operating table of an abortion clinic”

Reproductive decision-making and Coatlicue State in Teatro Luna1