ABSTRACT

This volume explores whether theatre pedagogy can and should be transformed in response to the global climate crisis.

Conrad Alexandrowicz and David Fancy present an innovative re-imagining of the ways in which the art of theatre, and the pedagogical apparatus that feeds and supports it, might contribute to global efforts in climate protest and action. Comprised of contributions from a broad range of scholars and practitioners, the volume explores whether an adherence to aesthetic values can be preserved when art is instrumentalized as protest and considers theatre as a tool to be employed by the School Strike for Climate movement. Considering perspectives from areas including performance, directing, production, design, theory and history, this book will prompt vital discussions which could transform curricular design and implementation in the light of the climate crisis.

Theatre Pedagogy in the Era of Climate Crisis will be of great interest to students, scholars and practitioners of climate change and theatre and performance studies.

chapter |14 pages

Introduction

In the midst of a pandemic and a reckoning on racial injustice

part 1|60 pages

Applied theatre/drama in education

chapter 1|15 pages

Nurturing hopeful agency

Applied theatre pedagogy in collaboration with social movements

chapter 2|15 pages

Strategies for climate crisis adaptation

Bringing Indigenous and Western knowledge systems together through theatre

chapter 3|12 pages

Voices we carry within us

A trialogue about climate change, Indigenous ways of knowing and activism

part 3|32 pages

Actor training

chapter 9|16 pages

“Eco-atonement”

Performing the nonhuman

chapter 10|14 pages

The actor as geoartist

part 4|32 pages

Theatre and performance studies/praxis

chapter 11|16 pages

Drawing what you can’t see

Meditations on theatre and derangement

chapter 12|14 pages

Coproducing mimesis