ABSTRACT

This book explores how feminist artists continued to engage with kitchen culture and food practices in their work as women’s art moved from the margins to the mainstream.

In particular, this book examines the use of food in the art practices of six women artists and collectives working in Southern California—a hotbed of feminist art in the 1970s—in conjunction with the Women’s Art Movement and broader feminist groups during the era of the Second Wave. Focused around particular articulations of food in culture, this book considers how feminist artists engage with issues of gender, labor, class, consumption, (re)production, domesticity, and sexuality in order to advocate for equality and social change.

The book will be of interest to scholars working in art history, food studies, and gender and women’s studies.

chapter |16 pages

Introduction

part I|72 pages

Labor

chapter 181|26 pages

Cooking

Suzanne Lacy's Learn Where the Meat Comes From

chapter 2|24 pages

Serving

The Waitresses' Ready to Order?

chapter 3|20 pages

Nursing

Womanhouse and The Nurturant Kitchen

part II|79 pages

Consumption

chapter 904|23 pages

Feeding

Feminist Art Workers' Heaven or Hell?

chapter 5|22 pages

Eating

Martha Rosler's Losing: A Conversation with the Parents

chapter 6|26 pages

Being Eaten

Barbara T. Smith's Ritual Meal

chapter |6 pages

Conclusion