ABSTRACT

The American Musical is a comprehensive history of an American art form. It delivers a detailed and definitive portrait of the American musical’s artistic evolution over the course of seven distinct, newly defined eras, with a unique perspective gleaned from research at more than twenty different archives across the United States.

Individual in both its approach and coverage, The American Musical traces the form’s creative journey from its 19th century beginnings, through its 20th century maturation, and to the turn of the 21st century, shedding new light on a myriad of authors, directors, and craftspeople who worked on Broadway and beyond. This book actively addresses the form’s often overlooked female and African-American artists, provides an in-depth accounting of such outside influences as minstrelsy, vaudeville, nightclubs, and burlesque, and explores the dynamic relationship between the form and the consciousness of its country.

The American Musical is a fascinating and insightful read for students, artists, and afficionados of the American musical, and anyone with an interest in this singular form of entertainment.

part 21|18 pages

Inventions, Influences, and Imports

chapter 1|6 pages

Minstrelsy

chapter 2|2 pages

The Variety Show

chapter 3|3 pages

The Legitimate Musical Stage

chapter 4|5 pages

Ragtime and Coon Songs

part 202|126 pages

Birth of an Art Form

chapter 5|10 pages

Vaudeville, Part One: Time and Talent

chapter 6|16 pages

Vaudeville, Part Two: Tin Pan Alley

chapter 7|5 pages

Vaudeville, Part Three: Sketches and Tabs

chapter 8|3 pages

Burlesque

chapter 9|8 pages

Bob Cole and the Black Musical Stage

chapter 10|4 pages

The Early Musical Comedy

chapter 11|19 pages

Revue

chapter 12|12 pages

The Great Winter Garden Factory

chapter 13|3 pages

The Hippodrome Shows

chapter 14|4 pages

The Spectacular Musical Play

chapter 15|6 pages

American Operetta

chapter 16|4 pages

The Princess Musicals

chapter 19|5 pages

Jazz, Part One: The Musicians

chapter 20|9 pages

Jazz, Part Two: The Musicals

chapter 21|3 pages

The New Musical Comedy

chapter 22|5 pages

Shuffle Along and the Black Renaissance

part 1463|54 pages

Intensification

chapter 23|10 pages

Nightclubs, Part Two: The Plantation, etc.

chapter 24|7 pages

Pleasure Bound

chapter 25|13 pages

Howard Dietz and the New Revue

chapter 28|5 pages

Oscar Hammerstein II and the Musical Play

part 2004|64 pages

Convention, or Maturity, Part One: Craft and Construction

chapter 29|10 pages

Sophisticated Revue

chapter 30|12 pages

The Sophisticated Musical Stage

chapter 32|3 pages

The African-American Exit

chapter 33|5 pages

Hollywood and the Popular Song

chapter 34|4 pages

The Second World War

chapter 35|7 pages

Integrated Folktales

chapter 36|10 pages

The Musical Comedy Stage

chapter 37|7 pages

The Abbott Touch

chapter 38|2 pages

Guys and Dolls

part 2645|40 pages

Convention, or Maturity, Part Two: Style and Structure

chapter 39|10 pages

Character and Quirks and Comedy and Farce

chapter 40|5 pages

The New Musical Play

chapter 41|7 pages

Staging and Story

chapter 42|5 pages

Nontraditional Storytelling

chapter 43|6 pages

Hair vs. Your Own Thing

chapter 44|5 pages

Off-Broadway

part 3046|24 pages

Diminution

chapter 45|3 pages

Nostalgia, Revivals, and Reinventions

chapter 46|3 pages

The All-Purpose Revue

chapter 47|3 pages

The African-American Resurgence

chapter 49|3 pages

A Chorus Line

chapter 50|6 pages

Sophisticated Storytelling

part 3287|21 pages

Growing Pains, or Identity Crisis

chapter 51|7 pages

Dialogue, Song, and Dance

chapter 54|2 pages

Revivals

chapter 55|4 pages

Miscellany