ABSTRACT

Translation is at the heart of psychoanalysis: from unconscious to conscious, experience to verbal expression, internal to enacted, dream thought to dream image, language to interpretation, unrepresented to represented and transference of past to present.

The book’s first part discusses the question of translation, literal and metaphoric. Both linguistic and cultural translations are closely tied to specific and significant personalities who were involved in the early history of psychoanalysis and thus in the development of the IJP. There was a close relationship between the IJP and the visual arts via the Bloomsbury Group. The link between the visual arts and the IJP is indeed to be found in its logo, which is taken from a painting by Ingres. The second part of the book approaches transformations between psychoanalysis and the arts from conscious, unconscious and non-represented elements into non-verbal modes, specifically visual, poetic and musical; it also looks at the developments and transformations in psychoanalytic ideas about artistic expression as expressed within the pages of the IJP.

This book will be of great interest to psychoanalysts and psychotherapists, and to those interested in the history of psychoanalysis and the IJP.

chapter |20 pages

Introduction

part One|192 pages

A promenade through history and the central place of translation

chapter 2|41 pages

Founding The International Journal of Psychoanalysis

A chapter of psychoanalytical science and association policy

chapter 3|32 pages

“The Deep Open Sea”1 “l’alto mare aperto”

Some notes on psychoanalysis and translation, focusing on the early vicissitudes of the first British attempts to translate Freud

chapter 4|40 pages

Publish and be fair? “I am myself strongly in favour of doing it”

James Strachey as the candid wartime editor of The International Journal of Psycho-Analysis, 1939–1945

chapter 5|15 pages

Joan Riviere

The professional and personal struggles of a formidable foundress of the International Journal of Psychoanalysis

part Two|110 pages

Form and representation

chapter 8|41 pages

Picturing Oedipus

Ingres, Bacon, Freud

chapter 10|12 pages

Form and feeling

Reflections on a century of psychoanalytic discourse on meaning and poetry

chapter 11|24 pages

Psychoanalysis and musicality

chapter 12|22 pages

A midpoint in time

The dual aspect of the Wolf Man’s dream