ABSTRACT

Art and science work is experiencing a dramatic rise coincident with burgeoning Science and Technology Studies (STS) interest in this area. Science has played the role of muse for the arts, inspiring imaginative reconfigurations of scientific themes and exploring their cultural resonance. Conversely, the arts are often deployed in the service of science communication, illustration, and popularization. STS scholars have sought to resist the instrumentalization of the arts by the sciences, emphasizing studies of theories and practices across disciplines and the distinctive and complementary contributions of each. The manifestation of this commonality of creative and epistemic practices is the emergence of Art, Science, and Technology Studies (ASTS) as the interdisciplinary exploration of art–science.

This handbook defines the modes, practices, crucial literature, and research interests of this emerging field. It explores the questions, methodologies, and theoretical implications of scholarship and practice that arise at the intersection of art and STS. Further, ASTS demonstrates how the arts are intervening in STS. Drawing on methods and concepts derived from STS and allied fields including visual studies, performance studies, design studies, science communication, and aesthetics and the knowledge of practicing artists and curators, ASTS is predicated on the capacity to see both art and science as constructions of human knowledge- making. Accordingly, it posits a new analytical vernacular, enabling new ways of seeing, understanding, and thinking critically about the world.

This handbook provides scholars and practitioners already familiar with the themes and tensions of art–science with a means of connecting across disciplines. It proposes organizing principles for thinking about art–science across the sciences, social sciences, humanities, and arts. Encounters with art and science become meaningful in relation to practices and materials manifest as perceptual habits, background knowledge, and cultural norms. As the chapters in this handbook demonstrate, a variety of STS tools can be brought to bear on art–science so that systematic research can be conducted on this unique set of knowledge-making practices.

chapter |46 pages

Introduction

The past, present, and future of Art, Science, and Technology Studies

part Section 1|55 pages

Constructing borders and borders at the intersections of art and science

part Section 2|76 pages

Making multidisciplinary histories

chapter 5|19 pages

The art–science complex

chapter 7|11 pages

Emotion, affect and participation

Why science communication practitioners should embrace a feminist ethics of care in their work

chapter 8|22 pages

Robert Hooke's Micrographia

A historical guide to navigating contemporary images

chapter 9|16 pages

The Xenopus pregnancy test

A performative experiment

part Section 3|93 pages

Methods and modes

chapter 13|11 pages

Art's Work in the Age of Biotechnology

How art can make arguments in science and technology studies

chapter 14|10 pages

Recipes for Technoutopia

On hospitality and infrastructure as experimental performance

chapter 15|23 pages

Reflexivity practiced daily

Theatricality in the performative doing of STS

part Section 4|81 pages

Collaborations and collisions in art–science

chapter 16|18 pages

Trading between science and art worlds

From biology laboratory to art exhibition

chapter 18|16 pages

Negotiations and love songs

Integration, fairness, and balance in an art–science collaboration

chapter 19|19 pages

Transdisciplinary co-inquiry as curatorial methodology

From the Canadian Arctic to the Calder Valley, Yorkshire

part Section 5|52 pages

Institutions and infrastructures

chapter 20|10 pages

ArtSciLab

Experimental publishing and knowledge production in collaborative transdisciplinary practices

chapter 21|15 pages

Polymathic pedagogies

Creating the conditions for interdisciplinary enquiry in art and science

chapter 22|12 pages

The future of arts integrative work

Creating new avenues for advancing and expanding the field

chapter 23|11 pages

Feasting the Lab and other projects

Art and science that skirts the limits of institutional frameworks

part Section 6|58 pages

Democracy and activism

chapter 24|4 pages

We're all living in an Estroworld

chapter 25|11 pages

Rustbelt Theater and citizen science

Children's environmental justice narratives

chapter 26|24 pages

Artificial intelligence experience

Participatory art workshops to explore AI imaginaries

chapter 27|15 pages

Human germline gene editing is bioart

An open letter to Lulu and Nana

part Section 7|58 pages

Art as partner and critic

chapter 29|15 pages

Hemlock Hospice

Landscape ecology, art, and design as science communication

chapter 30|7 pages

Horizons of engagement

Infrastructures of art and scholarship

chapter 31|13 pages

Big pigs, small wings

On genohype and artistic autonomy

part Section 8|68 pages

Exposure to the elements

chapter 32|14 pages

In the Middle of Something

In Search of Meso-Aesthetics

chapter 34|8 pages

The future now

Three tales of ocean plastic

chapter 35|6 pages

Becoming disaster literate

Reflections on X AND BEYOND (2015–2017)

chapter 36|14 pages

An Anthropocene journey

Walking as embodied research

chapter 37|14 pages

As we used to float

Within Bikini Atoll

part Section 9|55 pages

Atmospherics

chapter 38|11 pages

Archiving Atmosphere

chapter 39|8 pages

Becoming tornadic

A meteorology of media

chapter 42|7 pages

Variations on air 1

part Section 10|4 pages

Gallery