ABSTRACT

Muslim women have been stereotyped by Western academia as oppressed and voiceless. This volume problematizes this Western academic representation. Muslim Women Writers from the Middle East from Out al-Kouloub al-Dimerdashiyyah (1899–1968) and Latifa al-Zayat (1923–1996) from Egypt, to current diasporic writers such as Tamara Chalabi from Iraq, Mohja Kahf from Syria, and even trendy writers such as Alexandra Chreiteh, challenge the received notion of Middle Eastern women as subjugated and secluded. The younger largely Muslim women scholars collected in this book present cutting edge theoretical perspectives on these Muslim women writers. This book includes essays from the conflict-ridden countries such as Iran, Iraq, Palestine, Syria, and the resultant diaspora. The strengths of Muslim women writers are captured by the scholars included herein. The approach is feminist, post-colonial, and disruptive of Western stereotypical academic tropes.

chapter |8 pages

Introduction

part Section 1|72 pages

Memory and Matriarchy

chapter 2|10 pages

Rebuilding Baghdad

Placing Memoir in the Archive in Marina Benjamin’s Last Days in Babylon (2007) and Tamara Chalabi’s Late for Tea at the Deer Palace (2010)

chapter 3|12 pages

Once Upon a Time in Jerusalem

Re-memory and the Storied Geography of Subalterns’ Telling of Their S/Place

chapter 4|11 pages

“Don’t Get in my Face Like Ashiq Peri”

The Legacy of Azerbaijan’s Most Famous Woman Bard

chapter 5|12 pages

“Exilic Consciousness”

Memoirs of Iranian Women Émigrés

part Section 2|47 pages

Body and Politics

chapter 7|11 pages

Spheres of Piety

Politicization of Muslim Women in Turkish Novels

chapter 8|12 pages

Muslim Face, White Mask

Out al-Kouloub al-Dimerdashiyyah’s Ramza as a Mimic (Wo)man

chapter 9|12 pages

Same-sex Relations in Modern Arabic Fiction between Empowerment and Impossibility

A Case Study of Samar Yazbek’s Cinnamon

chapter 10|10 pages

Writing Veiled Bodies Anew

A Study of Maya al-Haj’s Burkini: Iʿtirāfāt Muḥajjaba

part Section 3|42 pages

Identity and Crossing Boundaries

chapter 11|8 pages

“A Girl Is Like a Bottle of Coke”

Emptied and Recycled Identities in Always Coca-Cola

chapter 12|12 pages

Shaping a Female Identity

Feminism & National Identity in Suad al-Sabah’s Poetry

chapter 13|10 pages

“An Islam of Her Own”

A Critical Reading of Leila Aboulela’s Minaret

part Section 5|38 pages

Returning to the Scheherazade Within

chapter 18|12 pages

Djebar and Scheherazade

On Muslim Women, Past and Present

chapter 20|13 pages

Revolutionizing Scheherazade

Deconstructing the Exotic and Oppressed Muslim Odalisque in Mohja Kahf’s Poetry