ABSTRACT

The Routledge Companion to Popular Music Analysis: Expanding Approaches widens the scope of analytical approaches for popular music by incorporating methods developed for analyzing contemporary art music. This study endeavors to create a new analytical paradigm for examining popular music from the perspective of developments in contemporary art music.

"Expanded approaches" for popular music analysis is broadly defined as as exploring the pitch-class structures, form, timbre, rhythm, or aesthetics of various forms of popular music in a conceptual space not limited to the domain of common practice tonality but broadened to include any applicable compositional, analytical, or theoretical concept that illuminates the music. The essays in this collection investigate a variety of analytical, theoretical, historical, and aesthetic commonalities popular music shares with 20th and 21st century art music. From rock and pop to hip hop and rap, dance and electronica, from the 1930s to present day, this companion explores these connections in five parts:

  • Establishing and Expanding Analytical Frameworks
  • Technology and Timbre
  • Rhythm, Pitch, and Harmony
  • Form and Structure
  • Critical Frameworks: Analytical, Formal, Structural, and Political

With contributions by established scholars and promising emerging scholars in music theory and historical musicology from North America, Europe, and Australia, The Routledge Companion to Popular Music Analysis: Expanding Approaches offers nuanced and detailed perspectives that address the relationships between concert and popular music.

part 1|1 pages

Establishing and Expanding Analytical Frameworks

chapter 2|15 pages

Style as Analysis

chapter 3|16 pages

Thank You for the Music

chapter 5|19 pages

Analyse This

Types and Tactics of Self-Referential Songs

chapter 6|18 pages

A-ha’s “Take on Me”

Melody, Vocal Compulsion, and Rotoscoping

chapter 7|19 pages

Interpreting Transmedia and Multimodal Narratives

Steven Wilson’s “The Raven That Refused to Sing”

part 2|1 pages

Technology and Timbre

chapter 9|11 pages

The Production of Timbre

Analyzing the Sonic Signatures of Tool’s Ænima (1996)

chapter 10|15 pages

“What Music Isn’t Ambient in the 21st Century?”

A Design-Oriented Approach to Analyzing and Interpreting Ambient Music Recordings

part 3|1 pages

Rhythm, Pitch, and Harmony

chapter 12|11 pages

Pulse as Dynamic Attending

Analysing Beat Bin Metre in Neo Soul Grooves

chapter 14|13 pages

The Aesthetics of Drone

chapter 15|14 pages

A Tonal Axis to Grind

The Central Dyad in Sonic Youth’s Divergent Textures

chapter 17|16 pages

System 7

part 4|1 pages

Form and Structure

chapter 20|9 pages

‘Silence in the Studio!’

Collage as Retransition in Pink Floyd’s ‘Atom Heart Mother Suite’

chapter 21|15 pages

“Weed Crumbles into Glitter”

Representing a Marijuana High in Frank Ocean’s Blonde

part 5|1 pages

Critical Frameworks: Analytical, Formal, Structural, and Political

chapter 23|12 pages

New Music in a Borderless World

chapter 25|14 pages

The Love Detective

Cybernetic Cycles and the Mysteries of Desire in Arab Strap

chapter 26|21 pages

Unending Eruptions

White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization

chapter 27|16 pages

Hearing Postmemory

Anne Frank in Neutral Milk Hotel’s In the Aeroplane over the Sea

chapter 28|10 pages

“Poet-Composers”

Art and Legitimacy in the Singer-Songwriter Movement