ABSTRACT

The Routledge Companion to Latin American Cinema is the most comprehensive survey of Latin American cinemas available in a single volume. While highlighting state-of-the-field research, essays also offer readers a cohesive overview of multiple facets of filmmaking in the region, from the production system and aesthetic tendencies, to the nature of circulation and reception. The volume recognizes the recent "new cinemas" in Argentina, Brazil, Chile, and Mexico, and, at the same time, provides a much deeper understanding of the contemporary moment by commenting on the aesthetic trends and industrial structures in earlier periods. The collection features essays by established scholars as well as up-and-coming investigators in ways that depart from existing scholarship and suggest new directions for the field.

chapter |14 pages

Introduction

Troubling histories

part I|118 pages

Historiographies

chapter 1|14 pages

National cinema

chapter 2|13 pages

Silent and early sound cinema in Latin America

Local, national, and transnational perspectives

chapter 4|13 pages

Unpacking periodization

chapter 7|14 pages

Encounters with the centaur

Forms of the film-essay in Latin America 1

part II|115 pages

Interrogating critical paradigms

chapter 9|15 pages

Cosmopolitan nationalisms

Transnational aesthetic negotiations in early Latin American sound cinema

chapter 10|14 pages

Genre films then and now

chapter 14|19 pages

New frameworks

Collaborative and indigenous media activism

chapter 15|12 pages

Productions of space/places of construction

Landscape and architecture in contemporary Latin American film

chapter 16|14 pages

Enduring art cinema

part III|30 pages

Business practices

chapter 17|15 pages

Transnational networks of financing and distribution

International co-productions

chapter 18|13 pages

The interlocking dynamics of domestic and international film festivals

The case of Latin American and Caribbean cinema 1

part IV|96 pages

Intermedialities