ABSTRACT

This cutting-edge volume demonstrates both the literary quality and the socio-economic importance of works on "the matter of the greenwood" over a long chronological period. These include drama texts, prose literature and novels (among them, children's literature), and poetry. Whilst some of these are anonymous, others are by acknowledged canonical writers such as William Shakespeare, Ben Jonson, and John Keats. The editors and the contributors argue that it is vitally important to include Robin Hood texts in the canon of English literary works, because of the high quality of many of these texts, and because of their significance in the development of English literature.

chapter |18 pages

Introduction

The Medieval Outlaw/ed Canon: Literary and Ideological Thresholds and Boundaries

chapter 1|32 pages

Robin Hood and the Margins of Romance

Insights on Canon Formation and Maintenance

chapter 2|18 pages

By Words and By Deeds

The Role of Performance in Shaping the “Canon” of Robin Hood

chapter 3|20 pages

Robin Hood and the King and Commoner Tradition

“The best archer of ilkon,/I durst mete hym with a stone” 1

chapter 4|20 pages

Robin Hood’s Passions

Emotion and Embodiment in Anthony Munday’s The Downfall and The Death of Robert, Earle of Huntington (c. 1598)

chapter 5|23 pages

Canonicity and “Robin Hood”

The Morris Dance and the Meaning of “Lighter than Robin Hood” in the Prologue to Fletcher and Shakespeare’s The Two Noble Kinsmen

chapter 7|17 pages

“Gone, the Song of Gamelyn”

John Keats and the Medieval Robin Hood 1

chapter 9|21 pages

What A Canon Wants

Robin Hood, Romance Novels, and Carrie Lofty’s What A Scoundrel Wants

chapter 11|21 pages

Doing Yeoman Work 1

Uses of the Robin Hood Tales in the Undergraduate Survey