ABSTRACT

This collection brings together eighteen of the author’s original papers, previously published in a variety of academic journals and edited collections over the last three decades, on the process of interpretation in literature and the visual arts in one comprehensive volume. The volume highlights the centrality of artistic texts to the study of multimodality, organized into six sections each representing a different modality or semiotic system, including literature, television, film, painting, sculpture, and architecture. A new introduction lays the foundation for the theoretically based method of analysis running through each of the chapters, one that emphasizes the interplay of textual details and larger thematic purposes to create an open-ended and continuous approach to the interpretation of artistic texts, otherwise known as the "hermeneutic spiral". Showcasing Michael O’Toole’s extensive contributions to the field of multimodality and in his research on interpretation in literature and the visual arts, this book is essential reading for students and scholars in multimodality, visual arts, art history, film studies, and comparative literature.

chapter |6 pages

Introduction

part 1|85 pages

Literary Narrative

chapter 1|25 pages

Structure and Style in the Short Story

Chekhov’s “The Student”

chapter 2|16 pages

Narrative Structure and Living Texture

Joyce’s “Two Gallants”

chapter 3|25 pages

Analytic and Synthetic Approaches to Narrative Structure

Sherlock Holmes and “The Sussex Vampire”

chapter 4|17 pages

Dimensions of Semiotic Space in Narrative

“Joseph and His Brethren” and James Joyce’s “Eveline”

part 2|13 pages

TV Narrative

chapter 5|11 pages

Art versus Computer Animation

Integrity and Technology in South Park

part 3|30 pages

Film

chapter 6|6 pages

Eisenstein in October

chapter 7|10 pages

Structural Interpretation of a Film

Eisenstein’s Strike

chapter 8|12 pages

The Revolution in Techniques and Human Values

Early Soviet Cinema

part 4|68 pages

Painting

chapter 9|19 pages

Towards a Systemic-Functional Semiotics of Painting

Frank Hinder’s The Flight into Egypt

chapter 10|10 pages

Captain Banning Cocq’s Three Left Hands

A Semiotic Interpretation of Rembrandt’s The Night Watch

chapter 11|19 pages

Word Pictures and Painted Narrative. Longstaff’s Breaking the News

The Systemic-Functional Model Relating the Analysis of Pictorial Discourse, Verbal Discourse and Narrative Form

chapter 12|12 pages

Pushing Out the Boundaries

Designing a Systemic-Functional Model for Non-European Visual Arts: A Chinese Landscape Painting

chapter 13|6 pages

Exploiting Famous Paintings

The Canon Colour Wizz Photocopier and Picasso’s Girl Before a Mirror

part 5|18 pages

Architecture and Language