ABSTRACT

Digital technologies have transformed archives in every area of their form and function, and as technologies mature so does their capacity to change our understanding and experience of material and performative cultural production. There has been an exponential explosion in the production and consumption of video online and yet there is a scarcity of knowledge and cases about video and the digital archive. This book seeks to address that through the lens of the project Circus Oz Living Archive. This project provides the case study foundation for the articulation of the issues, challenges and possibilities that the design and development of digital archives afford. Drawn from eight different disciplines and professions, the authors explore what it means to embrace the possibilities of digital technologies to transform contemporary cultural institutions and their archives into new methods of performance, representation and history.

chapter 1|10 pages

Performing Digital

An Introduction

part I|63 pages

Proposing

chapter 2|16 pages

Time and Narrative in the Digital Archive

On Account of a Circus

chapter 3|10 pages

The Pulse in the Past

chapter 4|12 pages

12 Statements for Archival Flatness

chapter 5|12 pages

Performance, Practice and Presence

Design Parameters for the Living Archive

chapter |11 pages

Transition 1 Methods

part II|83 pages

Making

part III|71 pages

Using

chapter 11|16 pages

Live Performance Research

Digitised Circus

chapter 12|16 pages

Circus Oz

A Reflection

chapter 13|14 pages

‘And now, before your very eyes'

The Circus Act and the Archive

part IV|13 pages

Coda