ABSTRACT

For several decades, Scott Burnham has sought to bring a ready ear and plenty of humanistic warmth to musicological inquiry. Sounding Values features eighteen of his essays on mainstream Western music, music theory, aesthetics and criticism. In these writings, Burnham listens for the values-aesthetic, ethical, intellectual-of those who have created influential discourse about music, while also listening for the values of the music for which that discourse has been generated. The first half of the volume confronts pressing issues of historical theory and aesthetics, including intellectual models of tonal theory, leading concepts of sonata form, translations of music into poetic meaning, and recent rifts and rapprochements between criticism and analysis. The essays in the second half can be read as a series of critical appreciations, engaging some of the most consequential reception tropes of the past two centuries: Haydn and humor, Mozart and beauty, Beethoven and the sublime, Schubert and memory.

part 2|167 pages

Impact and Effect: Critical Takes on Canonic Composers

chapter 10|31 pages

The second nature of sonata form

chapter 11|17 pages

Haydn and humor

chapter 13|14 pages

On the Beautiful in Mozart

chapter 14|9 pages

Our Sublime Ninth

chapter 16|9 pages

Schubert and the Sound of Memory

chapter 18|25 pages

Novel symphonies and dramatic overtures