ABSTRACT

Musicians’ Migratory Patterns: The Adriatic Coasts contains essays dedicated to the movement of musicians along and across the coasts of the Adriatic Sea. In the course of this book, the musicians become narrators of their own stories seen through the lenses of wanderlust, opportunity, exile, and refuge. Essayists in this collection are scholars hailing from Croatia, Italy, and Greece. They are internationally known for their passionate advocacy of musicians’ migratory rights and faithfulness to the lesson imparted by the history of immigration in the broadest of terms.

Spanning the Venetian Republic’s domination, the demise of the Ottoman Empire, the European nationalistic movements of mid-nineteenth century, the shocking outcomes of World War One, and the dramatic shifts of frontiers that continue to occur in our time, the chapters of this book guide the reader on a voyage through the Adriatic Sea—from the Gulf of Venice and the peninsula of Istria, to Albania, the Island of Corfu, and other Ionian outposts.

chapter 1|11 pages

Adriatic Geo-Musicology

A Premise

chapter 3|18 pages

Music Migrations and Creative Assimilations

The Ionian Islands

chapter 4|20 pages

The Sailors’ Chord

Comparative Research on Traditional Singing in the Quattro Province, the Ionian Islands, and Dalmatia

chapter 5|21 pages

Musicians on the Move in the Early Modern Era

An Instrumental Pilgrimage to L’Aquila

chapter 7|11 pages

Migration of Musicians as an Integrative Principle

The Case of the East Adriatic Coast in the Eighteenth Century*