ABSTRACT

This book showcases the important, but often understudied, work of Nigerian women playwrights.

As in many spheres of life in Nigeria, in literature and other creative arts the voices of men dominate, and the work of women has often been sidelined. However, Nigerian women playwrights have made important contributions to the development of drama in Nigeria, not just by presenting female identities and inequalities but by vigorously intervening in wider social and political issues. This book draws on perspectives from culture, language, politics, theory, orality and literature, to shine a light on the engaged creativity of women playwrights. From the trail blazing but more traditional contributions of Zulu Sofola, through to contemporary postcolonial work by Tess Osonye Onwueme, Julie Okoh, and Sefi Atta, to name just a few, the book shows the rich variety of work being produced by female Nigerian dramatists.

This, the first major collection devoted to Nigerian women playwrights, will be an important resource for scholars of African theatre and performance, literature and women’s studies.

chapter |12 pages

Introduction

Of women's invisibility, patriarchy and resistance: An overview of women dramatists in Nigeria

chapter 1|11 pages

The Onye-Nka of African drama

Zulu Sofola and the development of African tragic drama

chapter 2|15 pages

Theatricalising precarity

A study of Tess Onwueme's No Vacancy!

chapter 6|14 pages

“It's a short distance from Sontag”

Chinyere Okafor's New Toyi-Toyi as militant feminism

chapter 8|15 pages

“Wedlock of Rage”

Youth restiveness in Zulu Sofola and Bosede Ademilua-Afolayan's drama

chapter 13|9 pages

The urban woman in an urban space

A study of selected plays of Chidinma Daniel-Inim