ABSTRACT

Based on extensive original research, including in studio archives, industrial surveys, official records, trade journals, and English and Chinese newspapers, this book explores the role of the American film industry in the development of cinema in China. It examines the Chinese industry’s response to the American industry and the consequences of this response. It also considers the attitudes of Chinese film practitioners towards Hollywood and the contribution of those figures who acted as intermediaries between the two industries. Overall, the book casts much new light on the early development of the film industry in China and demonstrates the huge influence Hollywood had on it.

Winner of the inaugural 2021 New Zealand Asia Society Book Award, second prize.

chapter 1|28 pages

Introduction

chapter 3|23 pages

Response in distribution systems

From ‘parrot’ to ‘butterfly’

chapter 4|17 pages

Capitalism with Chinese characteristics

The mode of production in Chinese cinema

chapter 5|20 pages

Movie matchmakers

The intermediaries between the American and the Chinese film industries

chapter 7|3 pages

Conclusion