ABSTRACT

From Medievalism to Early-Modernism: Adapting the English Past is a collection of essays that both analyses the historical and cultural medieval and early modern past, and engages with the medievalism and early-modernism—a new term introduced in this collection—present in contemporary popular culture. By focusing on often overlooked uses of the past in contemporary culture—such as the allusions to John Webster’s The Duchess of Malfi (1623) in J.K. Rowling’s Harry Potter books, and the impact of intertextual references and internet fandom on the BBC’s The Hollow Crown: The Wars of the Roses—the contributors illustrate how cinematic, televisual, artistic, and literary depictions of the historical and cultural past not only re-purpose the past in varying ways, but also build on a history of adaptations that audiences have come to know and expect. From Medievalism to Early-Modernism: Adapting the English Past analyses the way that the medieval and early modern periods are used in modern adaptations, and how these adaptations both reflect contemporary concerns, and engage with a history of intertextuality and intervisuality.

chapter 1|17 pages

Introduction

Medievalism and Early-Modernism in Adaptations of the English Past

section Section I|2 pages

Cultural Medievalism and Early-Modernism

chapter 2|15 pages

Wonder Woman and the Nine Ladies Worthy

The Male Gaze and What It Takes to Be a ‘Worthy Woman’

chapter 3|16 pages

The King, the Sword, and the Stone

The Recent Afterlives of King Arthur

chapter 4|15 pages

Brand Chaucer

The Poet and the Nation

chapter 5|15 pages

Moving between Life and Death

Horror Films and the Medieval Walking Corpse

chapter 6|17 pages

From Cabaret to Gladiator

Refiguring Masculinity in Julie Taymor’s Titus
Edited ByMarina Gerzic

chapter 7|18 pages

“There’s My Exchange”

The Hogarth Shakespeare

chapter 8|17 pages

Bloody Brothers and Suffering Sisters

The Duchess of Malfi and Harry Potter

section Section II|3 pages

Historical Medievalism and Early-Modernism

chapter 9|17 pages

Playing in a Virtual Medieval World

Video Game Adaptations of England through Role-Play

chapter 10|17 pages

“I can piss on Calais from Dover”

Adaptation and Medievalism in Graphic Novel Depictions of the Hundred Years’ War (1337–1453)

chapter 11|17 pages

Beyond “tits and dragons”

Medievalism, Medieval History, and Perceptions in Game of Thrones

chapter 12|19 pages

Re-fashioning Richard III

Intertextuality, Fandom, and the (Mobile) Body in The Hollow Crown: The Wars of the Roses
Edited ByMarina Gerzic

chapter 14|18 pages

The Queen, the Bishop, the Virgin, and the Cross

Catholicism versus Protestantism in Elizabeth
Edited ByAidan Norrie

chapter 15|17 pages

“Unseen but very evident”

Ghosts, Hauntings, and the Civil War Past