ABSTRACT

This book complements the more textually-based Bauhaus scholarship with a practice-oriented and creative interpretive method, which makes it possible to consider Bauhaus-related works in an unconventional light. Edit Toth argues that focusing on the functionalist approach of the Bauhaus has hindered scholars from properly understanding its design work. With a global scope and under-studied topics, the book advances current scholarly discussions concerning the relationship between image technologies and the body by calling attention to the materiality of image production and strategies of re-channeling image culture into material processes and physical body space, the space of dimensionality and everyday activity.

chapter 1|13 pages

Introduction

chapter 3|32 pages

Optical Improvisations

Jazz, Film and Moholy-Nagy’s Light Prop for an Electric Stage

chapter 4|27 pages

Domestic Interventions

Marianne Brandt’s “Mediatized” Objects and Self-Portrait Photographs

chapter 5|37 pages

“Taking Apart” the Sukiya

The Yamawakis’ Postwar Tokyo Homes

chapter 7|24 pages

Contemporary Art, Architecture and Media

Recovering Material Space