ABSTRACT

Directing the Decades is an examination of the development of theatre in the UK since the revolution of the 1950s until the present day, viewed through the individual progress of a female director from a working-class background.

In this book, theatre history and lessons on directing are interwoven: the history is presented decade by decade, examining particular productions. Each historical theatre chapter is followed by a method chapter examining directorial influences and techniques predominant in each decade, as well as examining the working experience of the author in that decade. The book also includes practical advice on the directing process, including exercises, plans for rehearsals, and camera plans. Sue Dunderdale offers a unique perspective on the evolution of theatre directing in the UK, and her work, which served as the foundation of the creation of the Theatre Lab and Directing program at RADA, continues to influence working directors today.

Directing the Decades will be of interest to students and practitioners of theatre directing, acting, and theatre history, and to theatregoers with a consciousness of class and how it impacts on our lives.

The book also offers access to online transcripts of interviews with 16 practitioners, including Rufus Norris, Michelle Terry, Kwame Kwei-Armah, Indhu Rubasingham, Nadia Latif, and Nadia Fall.

chapter 1|14 pages

The 1950s

George and Joan and Crazy Horse, Chief of the Sue (sic)

chapter 2|22 pages

Rehearsing with Joan

chapter 3|26 pages

The 1960s

What do you want (if you don't want money)?

chapter 4|11 pages

Action before words

Stanislavski, Littlewood, Grotowski

chapter 5|30 pages

The 1970s

Brave new world 1

part |168 pages

Early years (photo gallery)

chapter 7|32 pages

Knocking on doors, right and wrong

chapter 8|21 pages

Women working together

Building and breaking out of the ghetto

chapter 9|21 pages

The 1990s

I am a camera

chapter 10|23 pages

Through the camera's eye

chapter 11|24 pages

Payback time

chapter 12|31 pages

How do we make work with actors?

Physicalisation of action

part |86 pages

Later years (photo gallery)

chapter 13|30 pages

In the end there are many beginnings

chapter 14|40 pages

Future voices

Brave new world 2