ABSTRACT

This unique book takes silence as its central concept and questions the range of meanings and values which inform the idea as it impinges on the creative process and its content and contexts.

The thematic core of silence allows a consideration of silencing and silence as opposite ends of a spectrum: one shutting down, the other enabling and opening up. As a multidisciplinary collection of essays derived from the teaching and implementation of Creative Writing at university level, the contributors consider silence as strategic, both through the need for silence and as something which compels resistance. They explore how writing has employed images and tropes of silence in the past, and used silence and gaps technically. In considering marginalised and forgotten voices, this book shows how writers bring their diverse range of backgrounds and experience to work with and against silence in Creative Writing Studies.

The first theoretical work on silence in Creative Writing, this field-shifting book is an essential read for both practitioners and students of Creative Writing at the higher education level.

chapter |7 pages

Introduction

On silence in language and writing

part I|14 pages

Silence, solitude and imagination

chapter 1|12 pages

Daydreams and solitude

Working the silent space

part II|46 pages

History and traditions

chapter 2|9 pages

Restored to his Kingdom

Reading the silences of medieval narrative

chapter 3|9 pages

Silver threads of fear

Restoring the agency of female protagonists in Jewish women’s storytelling traditions

chapter 4|13 pages

The roaring ghosts

Depictions of female silence and its oppositions

chapter 5|13 pages

Re-witching writing

Emerging out of silence

part III|46 pages

The poetry of silence

chapter 6|8 pages

Strange affiliation

chapter 7|12 pages

A poor poetry

Silence and stillness in Thomas A. Clark’s Moschatel poems

chapter 8|16 pages

Making worlds out of silence

A text-world analysis of the unspoken in ‘Not an Ending’ by Andrew Waterhouse*

chapter 9|8 pages

First, into silence

Openings into poetry

part IV|56 pages

Silence as structure: Prose, script and the unsaid

chapter 10|11 pages

Silence and the short story form

chapter 11|7 pages

Graphic novels as works of translation

Working as an illustrator

chapter 12|8 pages

Silence and filmic prose

chapter 13|28 pages

Q. A. Q.?

part V|10 pages

The waiting game

chapter 14|8 pages

The silence of peer review