ABSTRACT

Icons of Space: Advances in Hierotopy brings together important scholars of Byzantine religion, art, and architecture, to honour the work of renowned art historian Alexei Lidov.

As well as his numerous publications, Lidov is well known for developing the concept of hierotopy, an innovative approach for studying the creation of sacred spaces. Hierotopy and the related concepts of ‘spatial icons’ and ‘image-paradigms’ emphasize fundamental questions about icons, including what defines them as structures, spaces, and experiences. Chapters in this volume engage with the overarching theme of icons of space by employing, contrasting, and complementing methods of hierotopy with more traditional approaches such as iconography. Examinations of icons have traditionally been positioned within strictly historical, theological, socio-economic, political, and art history domains, but this volume poses epistemological questions about the creation of sacred spaces that are instead inclusive of multi-layered iconic ideas and the lived experiences of the creators and beholders of such spaces. This book contributes to image theory and theories of architecture and sacred space. Simultaneously, it moves beyond colonial studies that predominantly focus on questions of religion and politics as expressions of privileged knowledge and power.

This book will appeal to scholars and students of Byzantine history, as well as those interested in hierotopy and art history.

chapter |11 pages

Introduction

part I|160 pages

Sacred spaces: their traces and representations

chapter 1|14 pages

Sacred spaces versus holy sites

On the limits and advantages of a hierotopic approach

chapter 2|17 pages

Image-paradigms

The aesthetics of the invisible

chapter 3|22 pages

Dazzling radiance

A paradigm and a quiz in Byzantine chorography and hierotopy

chapter 6|39 pages

Hierochronotopy

Stepping into timeful space through Bonanno’s twelfth-century door for the Pisa cathedral

part II|85 pages

Icons and holy objects in sacred space

chapter 7|12 pages

The marvellous Hierotopy of the golden altar in Milan

A visual Constantinopolitan fascination?

chapter 8|12 pages

The patriarchal quarters in the south gallery of Hagia Sophia

Where was the patriarch’s throne?

chapter 10|25 pages

Virgin Mary and the Adoration of the Magi

From iconic space to icon in space

chapter 11|19 pages

Encountering presence

Icon/relic/viewer

part III|98 pages

Embodied experiences of sacred space