ABSTRACT

This book evaluates the parallels, divergences, and convergences in the literary legacies of Rudyard Kipling and William Butler Yeats. Coming 150 years after their birth, the volume sheds light on the conversational undercurrents that pull together the often diametrically polar worldviews of these two seminal figures of the English literary canon. Contextualizing their texts to the larger milieu that Kipling and Yeats lived in and contributed to, the book investigates a range of aesthetic and perceptual similarities – from cultures of violence to notions of masculinity, from creative debts to Shakespeare to responses to British imperialism and industrial modernity – to establish the perceptible consonance of their works. Kipling and Yeats are known to have never corresponded, but the chapters collected here show evidence of the influence that their acute awareness of each other’s work and thought may have had. 

Offering fresh perspectives which make Kipling’s and Yeats’s diverse texts, contexts, and legacies contemporarily relevant, this volume will be of great interest to scholars and researchers of literature, critical theory, postcolonial studies, cultural studies, and comparative literature.

chapter |16 pages

Introduction

‘When two strong men stand face to face’: locating Kipling with Yeats

part I|56 pages

Influences and legacies

chapter 1|12 pages

Yeats and Kipling

Parallels, divergences, and convergences

chapter 3|16 pages

The ungendered self

Yeats’s ‘A Prayer for My Daughter’ in the light of Indian philosophy

chapter 4|12 pages

Songs of the Wandering Aengus

Echoes of the political Yeats in Dorothy Salisbury Davis’s The Habit of Fear

part II|61 pages

Self and society

chapter 6|16 pages

Transgressed margins

Reading the ‘Other’ Kipling

chapter 7|15 pages

‘Turning from the mirror to meditation upon a mask’

Yeats’s search for his Daimon in ‘Ego Dominus Tuus’

chapter 8|16 pages

Kim’s modern education

Rudyard Kipling the zealot

part III|76 pages

Craft, Medium, Politics

chapter 9|15 pages

The chameleon and the peacock

Kipling and Yeats as creative readers of Shakespeare

chapter 10|12 pages

‘The writer is indebted to the Pioneer and Civil and Military Gazette’

Kipling, newspapers, and poetry

chapter 11|15 pages

Politics, drama, and poetry

The political vision of W.B. Yeats as reflected in select plays and poems

chapter 12|13 pages

Redefining the body of censorship

Reading Rudyard Kipling’s Indian short stories (1888–1902)

chapter 13|19 pages

Rudyard Kipling and the networks of empire

Writing imperial infrastructure in The Light that Failed and Captains Courageous

part IV|59 pages

Masculinity and/as Empire

chapter 14|14 pages

‘The passionless passion of slaughter’

Heroism and the aesthetics of violence

chapter 15|15 pages

‘I am not a Sahib’

Boys and masculinity in Kipling’s Indian fiction

chapter 16|14 pages

Does Kipling’s ‘If’ appropriate the Gita?

Correlating Empire, Muscular Christianity, and Sthitaprajna

chapter 17|14 pages

Chaps

Kipling, Yeats, and the empire of men